Setup man for Team Italia’s Grilli, Nick Pugliese closes for Unipol Fortitudo Bologna in Asia Series
Euro Cup and Europe’s first-ever representative in the Asia Series, Pugliese takes on the champions from the pro leagues in Japan, Chinese Taipei, Korea and Australia.
Siamo ancora una volta CAMPIONI D'EUROPA!! Foto: Simone Amaduzzi Photographer http://t.co/YdsT5hAjE0
— Fortitudo Baseball (@FortitudoBC1953) August 3, 2013
We spoke with Bologna’s closer prior to the start of the Asia Series in Taiwan (which runs from November 15-20).
Roberto: Having experienced MLB-affiliated ball with the Angels organization, you were a welcome addition to the Italian baseball fraternity. Explain the transition from Fortitudo Bologna to Team Italia.
Nicholas Pugliese: When I got the call to go to Bologna to play, I shot right over. I didn’t waste any time. I saw it as an experience to travel and to play on an international level. It’s kind of given me a second life in terms. Because I would never be in this position if I wasn’t involved with Italy to begin with. Team Italia manager Marco Mazzieri would have never seen me so I have nothing but good things to say to my GM that found me, Christian Mura, and Marco Mazzieri for giving me a shot to play on this team.
Roberto: After pitching at Lake Sumter College, you transferred to Steton University and made the 2008 All-Conference team after issuing only 11 walks in over 65 innings. Although you were not drafted, you still managed to be signed by the Los Angeles Angels.
Nicholas Pugliese: It was awesome. Tom Kotchman of the Angels gave the opportunity to play some professional baseball. I am forever grateful for that. I loved the three years I played for them. It was a great organization. I learned a lot, and I give a lot of credit to them for where I am right now actually.
Roberto: Having played at Tempe Diablo Stadium during Angels Spring Training and later return to play against your former organization as a member of Team Italia must have been a homecoming.
Nicholas Pugliese: It was a homecoming because I hadn’t seen these guys in a couple years. You’re talking about 300 guys! We all got close, we worked together, we played together. The whole coaching staff I got to see when we played the Angels. It was an awesome feeling. To see their faces light up when they saw me. Not expecting to ever see me out here again. It was a great experience.
Roberto: Through the blessing of Italian baseball, you have received a new lease on life. Out of all the minor leaguers that you played with in the Angels organization, how many of them can say they have pitched against MLB All-Stars at Chase Field and Marlins Park in the World Baseball Classic?
Nicholas Pugliese: Not a whole lot. They actually all called me and told me how jealous they were. It’s kind of bittersweet how things turned out, but I wouldn’t trade in this experience for anything. It was unbelievable.
Roberto: Getting the win against Mexico must have been one of your most memorable moments in baseball.
Nicholas Pugliese: The whole tournament was the highlight of my whole baseball career obviously. It was short, but it was amazing. The competition we were able to see, the guys we were able to meet. We proved that we can play with anyone. Roberto: Let’s talk Italian heritage.
Nicholas Pugliese: I’m sort of split between an Italian father and a German mother. My dad’s side is the strong Italian side. It’s always been about family and cooking. It actually goes back all the way to my great grandparents, who were born in Italy. So the actual paperwork wasn’t easy to find to go back and get all that stuff going. My Italian heritage will always be there, and I’m proud to play on this team.
Roberto: Did your mindset and pitching philosophy change when you crossed the Atlantic?
Nicholas Pugliese: It changed a little bit. International baseball…the whole set, the rules, the hitters…everything changes a little bit. So you adapt. You either adapt fast or die pretty much. But you’re constantly adapting. That’s what baseball is all about anyways. Coming back to the World Baseball Classic, we had to constantly change to these hitters from country to country, team to team.. I mean you learn to adapt fast or none of us would be here in the first place.
Roberto: What was the initial reaction by the Italian-born players to have an Italian American like you join their team?
Nicholas Pugliese: Playing on Team Italia is a little different because I have been playing for the Italians for two years in row now. I’ve gotten to know a lot of these guys since we’ve been playing together for a while. Initially coming to this team was a little standoffish. You know, these American guys coming in. And it would be the same way the other way around. But as long as you are there to win, and you’re giving your all then they take you in. That’s how it should be.
Roberto: Playing for the Italian National team, you have assumed the role of closer when Italia won the 2012 European Championship.
Nicholas Pugliese: It started out where Alessandro Maestri was the guy to go to in the ninth, and him being away in Japan kind of opened that role for me. It kind of just worked out, and I’m glad that I could fill the spot at the time. For Team Italia in the World Baseball Classic, I set up for Grilli. I got a long way to go before I take his spot…Roberto: What was the vibe like in the clubhouse when the MLB-affiliated players
(Punto, Denorfia, Liddi, Rizzo, Colabello, Grilli and others) joined the Italian National
team for practices in preparation for the World Baseball Classic?
Nicholas Pugliese: It was a totally different energy when they showed up. We were practicing for about a week without them. We were working hard and everything. But as soon as they could all come, it was just a total new energy. We’ve meshed obviously and you could see how we play the game. We’ve meshed very well. A quick mesh..which is important. That’s why a lot of these teams got upset because they hadn’t played together, and they were kind of playing selfish. I mean instantly we played well together…we meshed. You can see the result from that. What it really comes down to is baseball is universal. Whether you were born in Italy or you were born here, you speak Italian or not, it’s universal. You have a passion for the game. I mean you are going to give it your all. Everyone sees that. It’s easy to come together and win some games.
Roberto: Easier said than done. Look at Team USA in the WBC. Team Italia literally gifted them a win so that they could qualify for the second round in Miami.
Nicholas Pugliese: We had a chance to take them. We had them shaking in their shoes a little bit. It was just one bad swing. We did take it a little different. It wasn’t a must-win for us. We kind of used it as an opportunity to get all our guys in, get the experience going. If it really came down to it into a must-win situation, the outcome might have been a little different. But I mean for what it was worth, we played them tough and they were playing really tight for a while.
Roberto: Having already qualified for the second round prior to game time against Team USA, you have got to admit Team Italia was playing for fun.
Nicholas Pugliese: We definitely had a big weight lift our shoulders. We had a lighter energy going in there, but at the same time when it comes down to it we’re going to grind it out. It was good. We had a good time. Roberto: Especially with Jason Grilli around…
Nicholas Pugliese: I picked Grilli’s brain a lot. He’s probably sick of me by now. But every chance I had to go up to him and ask some questions, I’m just all ears. I’m a sponge with him. I love talking to him. He’s got a lot of awesome knowledge. He’s a great guy to be around. All the pitchers really look up to him. I mean I don’t have the stuff that someone like Grilli has out there. I don’t have the 96 mile per hour fastball so I have to just go with straight aggression and go after these guy–not wasting any time and pitching to contact. That’s my game plan, and that’s what I’m going to go out with there every single time. I’m just hoping that I can help the team keep moving on.
Roberto: While interviewing Mike Scioscia, I asked if he would consider joining the Team Italia coaching staff, and he said that would be dependent on how the Italians played.
Nicholas Pugliese: I don’t know how many more stars we can add to this coaching staff, but adding him would be amazing. I don’t know what else he wanted to see from us at this tournament. All he had to do was turn on the TV and enjoy his Italian heritage. It would be awesome to see Scioscia on the staff at any time. Roberto: I feel that Team Italia is blessed to have such a talented coaching staff featuring Bill Holmberg, Mike Piazza and Frank Catalanotto to take Italian baseball to the next level so that the team can compete with the game’s elite in MLB.
Nicholas Pugliese: Pitching coach Bill Holmberg has always been great. Mike Piazza has been awesome. He is just one of those special guys. He and Frank Catalanotto, you see them on TV and you look up to them. The next thing you know you’re in the dugout making jokes with them like everyone else. It’s awesome that they can relate to us on that type of level and share their knowledge with us.
Roberto: Team Italia is a very special team. In fact, two of your Italian teammates–Juan Carlos Infante and Alessandro Vaglio–will be joining you on Unipol Bologna in the Asia Series. What are your chances of doing what Team Italia did in the 2013 World Baseball Classic?
Nicholas Pugliese: I know all the Asian teams will be coming off of their seasons and will not only be baseball ready but highly talented. So it would be nice to head out there and surprise some guys with a few sneaky wins.
Roberto: Best of luck to you, the team and manager Marco Nanni. Thank you for your time!
Nicholas Pugliese: Thank you Roberto!
Home team Unipol Fortitudo Bologna hosts Korea’s Samsung Lions, winner of the 2011 Asia Series, in the opener of the 2013 Asia Series on November 15 at Taichung Inter-continental Baseball Stadium in Taiwan. Local Taiwanese favorite
Uni-President 7-Eleven Lions of Tainan welcome visitor Unipol Fortitudo Bologna on November 16. The European Cup Champions will get a well-deserved day of rest on November 17 before continuing on in the tournament should they qualify for the semi-final and final rounds of action with competition ending November 20. Italian supporters will have the opportunity to listen to Radio Arena Sportiva live broadcasts of the 2013 Asia Series with host Daniele Mattioli by clicking HERE.
Radio DJ Roberto Angotti goes ‘Down Under’ with LA Dodger Shane Lindsay to drum up support for the Australian Baseball League and MLB
“MLB digs ‘Down Under’ and find nine Aussie stars”, I requested to include one of the featured Australian players–Pitcher Shane Lindsay of the Los Angeles Dodgers–because of a recent tweet received from @ABQTopes (LA Dodgers Triple-A affiliate Albuquerque Isotopes). I thought to myself that if anyone deserved to go directly from the Australian Baseball League straight to Major League Baseball without any pit stops it was the recently signed Dodger flamethrower. After the Isotopes were kind enough to retweet my article to its 2500 followers, I tweeted back: “Thanks for the RT (retweet) and for sending the Dodgers your best talent. Do you think Aussie Shane Lindsay will wear True Blue after ST (spring training)?”
Moments later @ABQTopes replied,
“He has the tools to impress, but new ownership will have the final say.” Time will tell who exactly will sign Lindsay’s checks, but in the meantime he is training rigorously in Arizona to prepare for the pitcher and catcher February 21st report date at Camelback Ranch in Glendale. Shane emailed me: “Hey mate, doing good…working my butt off in Phoenix and getting ready for camp at athlete performance.” Lindsay is taking this challenge very seriously.
Without a doubt, Lindsay could very well be vintage Jonathan Broxton
with additional strength out of the bullpen. Last season wearing Chicago White Sox silks, the gutsy and often “wild” Australian hurler was not afraid to throw inside with his intimidating signature upper 90’s fastball to strike out hitters. The Dodgers believe Shane Lindsay has what it takes to become successful in MLB, and all he has to do now is figure out who to impress…the “wild” Kim Kardashian?In order for me to impress on why you should vote for me to be in the 2012 MLB Fan Cave by clicking HERE so that I may deliver an innovative and fresh approach to the coverage of pro baseball and also report on the latest cutting-edge music and pop culture trends, it is imperative to hear from others about my positive influence on them–as I am not accustomed to being my own publicist! Let’s first connect the dots through the Skunk Records and Sublime stories as told by San Diego-based Slightly Stoopid drummer Ryan ‘RyMo’ Moran.
While on the road with Rebelution , Ryan Morgan recently spoke about my good friend, Mike ‘Miguel’ Happoldt–co-founder of Skunk Records and producer for Sublime, Slightly Stoopid, Unwritten Law, Long Beach Dub All-Stars and Long Beach Shortbus. ‘RyMo’ explained, “In a nutshell, Skunk Records was two people. It was Brad Nowell from Sublime, and Mike Happoldt. Mike Happoldt is still one of our producers to this day, we work with him all the time. Basically those two guys started that record label as an underground Long Beach record label. It was basically two friends who just put their heads together and said, ‘Hey, we’re going to start recording.’ At the time, Mike Happoldt was called ‘Miguel’. Miguel was going to Long Beach State and he was in a recording arts music program there … and so after hours there they would sneak into Long Beach State, and Sublime recorded a whole bunch of stuff there. They would basically just sneak in after hours and use the studio from like, 8 p.m. ‘till 4 in the morning and then come back in the next night and do it all again. Skunk Records really was just a grass roots movement between those two guys.
Now sadly, we all know the story that Brad Nowell passed away in ’96 from an overdose on heroin, which sucked. At that point Mike, or Miguel, basically kept the label going, but it shrunk considerably. It went from like a full-on functioning label to just basically him doing stuff out of his house on a smaller scale. Basically, Skunk Records released quite a few records from bands like The Ziggens, one of Sublime’s favorite bands from back in the day. They released a good amount of other stuff —- obviously the work they did with Long Beach Dub All-Stars. Basically, Skunk Records is just Miguel Happoldt. It’s his project.”
When LA music industry insider executive Dana Smart interviewed Mike ‘Miguel’ Happoldt about Sublime and the influence of reggae, yours truly got some serious props.
Mike said, “Brad was a huge fan of DJ Roberto Angotti of KNAC (not metal yet) in Long Beach. He taped every show between 1985 and 1986.” You can listen to some of the songs that Brad loved by clicking on the following podcast link–The Waxcast Episode 2: Homage to Reggae Revolution–a loyal listener’s tribute to my radio show
before moving on to Los Angeles’ #1 Young Adult Radio Leader, ‘The World Famous KROQ 106.7 FM’, where I deejayed from 1986 through 1992.
I would see Brad regularly when I promoted Club Reggae at Fenders Ballroom in downtown Long Beach, where huge punk groups would perform in the larger room and Jamaica’s Wailing Souls and Eek-A-Mouse, England’s Pato Banton and Tippa Irie as well as LA’s Untouchables and Fishbone and other reggae/ska groups would play in my part of the ballroom on weekends. We would not discriminate against anyone who would enter our Punky Reggae Party. Long Beach experienced a London boomtown feeling in the early/mid-80’s. I clearly remember Brad joining me in the DJ booth when I promoted Eek-A-Mouse and Sublime together at Bogart’s in Long Beach. He came again to check me at an Andy Summers gig as well. When singer Gwen Stefani and bassist Tony Kanal from No Doubt were a couple without a contract, they would frequent my OC Club Reggae where I would test market their records on the dance floor.
After graduating early in 1980 from high school at age 17, I studied abroad in London and immersed myself in the 2 Tone movement. Borrowing elements of ska, punk rock, rocksteady, reggae and New Wave, bands like The Specials, The Selecter, The (English) Beat, Madness, Bad Manners, and The Bodysnatchers were the talk of the town. However, it was UB40’s “My Way of Thinking” that captured my imagination. Their progressive and upbeat style of British reggae was ear candy, and I could not get enough of it. I also learned of another Birmingham-based band called Steel Pulse. I collected records from London’s Aswad and Linton Kwesi Johnson as well. The artists trusted me, and I traveled with UB40 throughout America as their emcee while supporting Sting and The Police. I became the first radio deejay to interview British reggae, ska and two tone artists and break their records in America while hosting “Roberto, Rock, Reggae” on KSPC 88.7 in Claremont, California. Although a college station, the strong 3000 watt signal penetrated in Orange, LA, Riverside and San Bernardino counties. Within two years in 1982, I got my first real job in commercial radio when I was hired as a new music jock.
Working overnights at ‘Rock N Rhythm KNAC’ in Long Beach, I mixed New Wave and Classic Rock from the 50’s-70’s in this unique format which allowed deejay freedom with two personal choices per hour. I would bring in my crate of records from independent and unsigned artists to customize my radio show with a healthy dose of reggae and ska. After I had created a huge buzz for the music, I was rewarded with the first reggae show–“Reggae Revolution”–on commercial radio in addition to working my KNAC new music weekend deejay shifts and serving as program director of Pomona College’s KSPC. Often I would receive acetate test press copies of songs fresh out of the studio from up-and-coming LA New Wave bands like the Mystic Knights of the Oingo Boingo (who would later drop the long name), The Motels, X, The Blasters, The Plimsouls and Missing Persons. The groups would have listening parties while paying close attention to the audio quality of the recording on-the-air before going back in the studio to master the song.
Although we did not have the signal strength of LA powerhouse KROQ, Long Beach’s KNAC–lead by the innovative program director Jimmy ‘The Saint’ Christopher (who would later become the PA announcer for the Texas Rangers at the Ballpark at Arlington)–was looked upon by the music industry as an indicator station. While other stations would only play one or two tracks from an album, KNAC would dig deeper and play as many as four or five. Once research had indicated that the public liked the tracks, then only would the more conservative and bigger KROQ’s of the world would add songs to the playlist–especially if there was payola.
I thought that I would never sell my soul to the corporate giants, but it took a KNAC format change to Metal in 1986 for me to take a sabbatical in the UK and come back stronger than ever at KROQ. While a Film Studies major at Claremont McKenna College, I had done a documentary of the English Beat and written my thesis on reggae based upon two interviews with legendary original Wailer, the late and great Peter Tosh. He was the Original Jamaican Rude Boy that many of the two tone characters emulated years later in England. After graduating from college and taking some time off, I embarked on a journey to document UB40’s making of the ‘Geoffrey Morgan’ Album in their hometown of Birmingham, England. Staying at each band-member’s house a week at a time, it goes without saying that the lads were tired of my eternal smiling grin and my video camera staring at them every step of the way. Upon arriving at their DEP studios in the industrial section of Birmingham’s Digbeth, the band suggested I go down to an open audition held underground at a local pub where local talent would be performing live.
My life would change forever… At the time, a local MC by the name of Pato Banton had recorded two tracks on UB40’s ‘Baggariddim’ Double Album. One of the tracks, “Hip Hop Lyrical Robot”, was a B Side to the #1 song “I Got You Babe” featuring Chrissie Hynde from The Pretenders. After the success of the Beat’s “Pato and Roger Ago Talk” off the Beat’s ‘Special Beat Service’ Album, Ranking Roger continued to produce Birmingham’s top MC while Pato was on fire.
Roger did not disappoint the local reggae massive when he produced Pato’s 12″ single called “Mash Up The Telly”, which was the song that I had videotaped at the audition and later became a big UK smash hit. Before I could stop the camera and say hello, Pato was out the door and gone… I was blown away at his amazing talent and charisma on camera. I showed the footage to UB40 back at the studio, and the next day keyboardist Mickey Virtue game me Pato’s 12″ single “The Boss” and business card.
I immediately phoned and arranged a meeting with Pato’s manager, Grantley ‘G.T.’ Haynes. I learned that he also managed another client from London’s #1 Saxon Sound named Tippa Irie, who had massive success with “Hello Darling”. I had been sending postcards to KROQ Program Director Rick Carroll so he would expect me when I arrived back in LA. Equipped with new vinyl and a vengeance to get back on the radio, I brought back “Reggae Revolution” to the Southern California airwaves with a much improved signal that reached five times the amount of listeners I had previously at KNAC. Within a few months, Pato Banton and Tippa Irie were signed to U.S. recording contracts.
I arranged for Pato to record a song at the KROQ studios with the San Diego-based rock group Private Domain. The end result was “Absolute Perfection”, and the song became an instant hit on commercial radio throughout America in addition to a staple in the KROQ Top 10 playlist. Later I took Tippa Irie to see his first Black Eyed Peas concert at the Belly Up in Solana Beach. The end result there was “Hey Mama”, a track that broke radio charts internationally and was a MTV favorite. UB40 have always respected my writing style, and they paid me the ultimate compliment when they asked me to write the liner notes for their Dancehall Album.
After they flew me to Jamaica, I was able to work out of Ali Campbell and Brian Travers’ Oracabessa Records HQ in St. Mary. There I would vibe up full stop and meet a long cast of Jamaican stars passing through including Sly & Robbie, Rappa Robert, Toots Hibbert, Jack Radics and Mr. Vegas. Once word got out that I was writing liners, the phone rang constantly. The Sublime camp always loved my articles for Mean Street Magazine and asked for to write the liner notes for ‘Sublime: Everything Under the Sun’ Box Set. Mad Professor requested that I write Macka B’s ‘Global Messenger’ CD liners as well.
Music Club U.S.A. allowed me to go through the entire Fashion Records catalogue out of South London and produce two compilation CDs: ‘Love All Night’ and ‘Essential Dancehall Classics’. Despite having my plate full between teaching English in Orange County and freelance writing nonstop, I continued working with Pato Banton as he had a long list of recording artists who to this day consider him an inspiration and a foundation artist. Sting recorded with Pato on a couple occasions and flew he and his band on his private jet to Spain. Peter Gabriel recruited Pato to join him on his international WOMAD Tour. Ali and Robin Campbell scored a #1 hit with Pato on “Baby Come Back”. I have since arranged for Pato Banton to tour with the likes of 311, Matisyahu, English Beat, and Argentina’s Los Pericos. Tippa Irie and Pato Banton are first-rate live performers and consummate professionals in the recording studio. Both constantly in demand, it won’t
be long before they each throw out the first pitch at an upcoming MLB game and perform live in the MLB Fan Cave.