Results tagged ‘ Tommy Lasorda ’
DiMaggio’s legacy alive and well in Italy and America 100 years after the birth of Yankee Clipper Joltin’ Joe
Closer to home in Chicago’s Little Italy at 1431 West Taylor Street, Joltin’ Joe DiMaggio is enshrined at the National Italian American Sports Hall of Fame and the neighboring Piazza DiMaggio. These must-see cultural landmarks are the pride and joy of the close-knit community that resonate the strong sense of Italian American heritage in Chicago, Illinois. Founded by George Randazzo in 1977, the immaculate National Italian American Sports Hall of Fame includes the Tommy and Jo Lasorda Exhibit Gallery, the Grand Piazza Ballroom, the Salvatore A. Balsamo Rooftop Terrace and the Frank Sinatra Performing Arts Center. Nearby Piazza DiMaggio was built in 1998 as a gift from the City of Chicago to Little Italy and features fountains, elegant columns and a very much beloved Joe DiMaggio statue. Although most baseball fans read about the success Joe DiMaggio experienced on the field, rarely do they hear about the price his immigrant parents paid for a better life in America. After Japan bombed Pearl Harbor on December 7, 1941, the United States declared war and began targeting those of German, Italian or Japanese descent. The Italians were the largest immigrant group in the U.S. at the time and about 600,000 of the country’s five million Italian immigrants who had not yet naturalized were forced to register as enemy aliens. Required to carry photo ID booklets and surrender flashlights, shortwave radios, guns, binoculars, cameras and other “contraband,” Italian enemy aliens were subject to FBI raids and nightly house arrest with a curfew from 8 PM to 6 AM. Noncitizens could not travel more than five miles from home without a permit. 10,000 Italians in California were evacuated, mostly from coastal areas and sites near power plants, dams and military installations. Ironically, the half-million Italian Americans serving in the U.S. Armed Forces at the time of the crackdown were the largest ethnic group in the military. Of the 257 Italians put in internment camps for up to two years, 90 were from California. Fishing boats were seized, and thousands of fishermen lost their jobs. In San Francisco, 1,500 people–including Joe DiMaggio’s parents–were idled. Between the Great Depression and America’s entry into World World II, people were feeling desperate and ready for a hero who personified positivity and optimism for a better future. That hero came in the form of a rising star from a poor Italian fisherman’s family. Joltin’ Joe DiMaggio became one of the most accomplished, admired and respected ballplayers of all-time as well as a true American icon. Over the course of his legendary 56-game hitting streak, the Yankee Clipper unified the country while symbolizing the potential for greatness we all yearn to see in ourselves. DiMaggio represented the true American Dream and the belief that anyone from anywhere can accomplish anything if they work hard and put their mind to it. Former President Bill Clinton eloquently said, “Joe DiMaggio, the son of Italian immigrants, gave every American something to believe in. He became the very symbol of American grace, power and skill. I have no doubt that when future generations look back at the best of America in the 20th century, they will think of the Yankee Clipper and all that he achieved.”
Game Over: France manager and former All-Star closer Eric Gagne weighs in on the Dodgers, Derek Jeter, Mike Piazza and European Baseball
— Los Angeles Dodgers (@Dodgers) March 5, 2014
On the Dodgers chances in the playoffs: “They can win it all with their starting pitchers they got. I mean they have got a lot of guys, especially with Kershaw. He goes out there, it’s pretty much lights out every time. You know in the playoffs you need two starters…they have six! They are going to be good. Their bullpen was a little shaky for a while, but they pitched a lot of innings. I think they’ve made some good moves. I think the Dodgers are the favorite team for me. Of course, they are my favorite. I played so many years in the Dodgers minor leagues, and I was only in Boston for four months. I was good in LA and never got a ring. But I was terrible in Boston, and I got a ring. So I can’t complain. I was lucky.”
On Derek Jeter’s retirement: Number 2!!! That’s pretty simple. He’s done everything in the game you can think of. A lot of people were wondering five years ago if he was done. Just to have him around in the clubhouse and having his attitude is amazing. He’s done so much for the game. Everybody knows it. If you go to France, people know Jeter. There’s over 10,000 people playing so it’s really, really good. He’s the Jordan and the Gretzsky of the sport. It’s cool to see a guy like him. It’s not like he just hits home runs. He’s just a winner, and he’s won everywhere he went. It’s good to see him retire on top. It’s awesome to see him go out with the Yankees.”
— Joseph Bamat (@josephbamat) September 5, 2014
On growing the game in Europe along with Team Italy coach Mike Piazza: “It’s in our blood. We certainly aren’t doing it for the money…that’s for sure. It’s just fun. It’s fun to watch guys get better, listen and learn. For us that’s what I guarantee Mike loves about it. The kids learn…you can tell and see improvement every day, every single at-bat. It’s very rewarding and for us baseball is our life. For me it is, and I’m sure it is for him too. He’s a catcher. They are aware. They love to control the game and stuff like this. And I love baseball.”
— JaxtasticLife (@JaxLBC) April 26, 2014
Whether enjoying Tommy’s favorite–a bowl of penne pasta served with red sauce and a mountain of delectable meatballs–which Lasorda swears to taste closest to the way his mother used to make them at home, a Chicken Parmesan sub covered in marinara or a spicy Italian sausage sandwich with peppers and onions, fans cannot go wrong with the plethora of options available at Lasorda’s Trattoria. Diners are guaranteed to leave with an ear-to-ear grin after eating cannoli and gelato for dessert.
Mike Piazza is a baseball immortal regardless of what a pack of bitter, jealous sports writers think. Everyone knows he was The Man.
— Thomas Wilkinson (@RosenblattsBoss) January 8, 2014
“We just want to continue to draw attention to the fact that we believe baseball is marketable in Italy. We think it’s viable. We think there’s a lot of upward growth. We can produce players over there. I’m convinced of it,” said Piazza. 17-year-old switch-hitting shortstop Marten Gasparini–compared to a young Derek Jeter–and 19-year-old lefthanded-hitting catcher Alberto Mineo lead the charge of the Italian baseball revolution spurred by Dodgers scout/Team Italia manager Marco Mazzieri and coaches Holmberg and Piazza.
— Mike Piazza (@mikepiazza31) February 28, 2014
International baseball ambassador Mike Piazza traveled to Veneto, Italy recently to speak to an enthusiastic audience at the 29th Annual Coaches Convention. Piazza said, “We all overteach and overanalyze hitting. Everyone has their own opinion, but in actuality–just as Ted Williams explained in his book The Science of Hitting--the number one rule is to get a good ball to hit. Gaining an understanding of the strike zone and what you can and can’t hit is the key. Simply spoken, you can’t hit what you can’t see.” Twelve years ago in 2002 Piazza met FIBS President Riccardo Fraccari while visiting Italy on a MLB International mission to help the game develop in Europe. Fraccari asked Piazza if he would be interested in representing Italy in international competition, and the proud Italian American responded that it would be privilege to play for the Italian national team in honor of his Sicilian ancestry. During a 2006 World Baseball Classic press conference, Piazza addressed reporters who questioned why he chose to join Team Italia and said, “You may not understand it, but for Italian Americans getting a chance to finally play for Italy is like a duck chick getting close to the water for the first time.” The Italians have since fared well in the World Baseball Classic, nearly upsetting 2013 WBC Champion Dominican Republic and runner-up Puerto Rico. Piazza’s influence swayed Cubs’ slugger Anthony Rizzo to play for Team Italia alongside other MLB Italian Americans including Padres’ Chris Denorfia, A’s Nick Punto, Twins’ Chris Colabello and Pirates’ Jason Grilli. Piazza’s power of persuasion even impacted the Team Italia coaching staff as former MLB journeyman Frank Catalanotto joined the Italian baseball revolution. Team Italia’s homegrown talent held its own and contributed to the overall chemistry of the squad. Alessandro Maestri–the first Italian-born-and-developed pitcher signed by MLB in 2006 and infielder Alex Liddi–the first Italian-born-and-developed player to make his MLB debut in 2011 have benefitted greatly from Piazza’s guidance and mentorship.
Grazie di nuovo @FIBSpress! Had an amazing time in Veneto. Great coaches convention. Forza Italia!
— Mike Piazza (@mikepiazza31) January 19, 2014
Maestri said, “It’s great to have him around in the dugout. He’s like doing this for fun. He enjoys working with us… That’s why we appreciate it so much. I think he is positively influencing the program that we have. The fact that the team is winning and improving proves it. So that’s why he keeps coming back.” Liddi echoed the sentiment and said, “When you have coaches like Mike Piazza and Frank Catalanotto—guys who have been in the big leagues for a long time—it makes it fun just to be around them. You’re able to ask them questions and learn from them.”Piazza has been a proponent of uplifting and preserving his Italian cultural heritage by supporting the efforts of the National Italian American Foundation (NIAF), George Randazzo–founder of the National Italian American Sports Hall of Fame and Roberto Angotti–curator of the Artists’ Tribute to Italian Americans in Baseball Exhibition. Piazza befriended Angotti during the two weeks Team Italia spent in Phoenix preparing for the 2013 World Baseball Classic. When Hall of Famer Tommy Lasorda dropped in on Team Italia’s practice at Dodgers’ Spring Training Camp in Glendale to address the team, Roberto knew he was on the frontline of the Italian baseball revolution. Lasorda’s emotionally-driven speech coupled with Piazza’s serious commitment inspired Angotti to share the experience with others through a traveling exhibit paying tribute to Italian American baseball.
— WBC Baseball (@WBCBaseball) January 10, 2013
Piazza said,”This commitment I have with the Italian Federation is something I really care about. I feel a strong tie to Italy, since my heritage is there. My grandfather Rosario came from Sciacca, Sicily, to the United States and my father grew me up following the Italian tradition pretty much. I think it’s in our DNA to strive to work hard and persevere. Most our ancestors came over to the United States with just the clothes on their back. I think that was the case with my grandfather, who had nothing in his pocket to start a life here in the U.S. When we have the strength and pride of the Italian family with the support we can give one another, it builds character and allows us to achieve our true potential. I don’t think there are a lot of Italian American families that don’t have strong support behind them. I do not pretend to say what is not true, I grew up as an American boy. Now, getting older, I understand the value of my heritage and I want to give something back to Italy.”
The capacity crowd was treated to a live performance by 11-year-old Italian American singing sensation, Isabella Shiff, who recently traveled to Italy to represent her country at the Zecchino d’Oro (Golden Sequin) International Festival of Children’s Song broadcast on Italian TV and won the solo vocalist competition in her age category. Internationally-acclaimed sports artist Christopher Paluso, whose legendary art has graced the walls of the Italian American Sports Museum in Chicago and the San Diego Hall of Champions, mesmerized the audience with nostalgic baseball stories centered around his personal interactions with Joe DiMaggio and other Italian American icons. Attendees read text panels detailing the Italian diaspora and assimilation into American society through baseball before viewing artwork from Christopher Paluso, James Fiorentino, Chris Felix, Vincent Scilla, John Giarizzo, Rob Monte, Zack D’Ulisse, Tom Richmond and Jeremy Nash in addition to photos from Tom DiPace, Rob Cuni and Robb Long.
The exhibit on artist's tribute to italian american in baseball opened in San Diego. Watch the video http://t.co/o0HkfqJpKW
— FIBS (@FIBSpress) September 26, 2013
Artists’ Tribute to Italian Americans in Baseball features Joe DiMaggio, Phil Rizzuto, Tony Lazzeri, Roy Campanella, Yogi Berra, Ernie Lombardi,
— Roberto Angotti (@ABLblogger) September 23, 2013
Ron Santo, Tommy Lasorda, Tony Conigliaro, Joe Garagiola, Craig Biggio, Tony La Russa, John D’Aquisto, John Montefusco, Ken Caminiti, Mike Piazza, Frank Catalanotto, Frank Menechino, Jason Giambi, Joey Votto, Jason Grilli, Anthony Rizzo, Nick Punto, Chris Denorfia, Drew Butera, Dan Serafini, Alex Liddi, Chris Colabello, Brian Sweeney, Mike Costanzo, and Reid Rizzo. Throughout the exhibit’s exclusive engagement at Convivio, monthly birthday celebrations will feature movies and guest speakers to honor the careers of players and coaches of Italian descent including: Lou Colabello (10/10), Chris Colabello and Sal Varriale (10/24), Nick Punto (11/8), Jason Grilli (11/11), Roy Campanella (11/19), Joe DiMaggio (11/25), Mike Scioscia (11/27), Dave Righetti (11/28), Tony Lazzeri (12/6), Mauro Mazzotti (12/12), Craig Biggio (12/14), Marco Mazzieri (12/20), John D’Aquisto (12/24), Tony Conigliaro (1/7), Jason Giambi (1/8), Kurt Bevacqua (1/23) and Dan Serafini (1/25).
Christopher Paluso is the official artist for the San Diego Hall of Champions Sports Museum and the National Italian American Sports Hall of Fame in Chicago. His work has included many Italian American baseball players (including DiMaggio, Berra, Lasorda and Piazza) and has appeared on magazine covers, limited edition lithographs, collector plates, baseballs and in museums. Visit http://paluso4art.blogspot.com for a glimpse of his legendary artwork.
— Claudio Bisogniero (@CBisogniero) September 27, 2013
Support from Italian Ambassador to the U.S. Claudio Bisogniero, FIBS, Team Italia coach Mike Piazza and CBS News has given Artists’ Tribute to Italian Americans in Baseball a great start in San Diego. A special thank you goes out to all who have made this monumental exhibition possible and free to the public.
Congrats to Italia! Under 18 European Champions! Forza Italia!
— Mike Piazza (@mikepiazza31) July 22, 2013
Great job Bill Holmberg! My fellow coach! God Bless! pic.twitter.com/BBFyftX0yS
— Mike Piazza (@mikepiazza31) July 22, 2013
Tried and tested as “Azzurri” teammates on Team Italy in the 2013 World Baseball Classic, utility infielder Nick Punto and backup catcher Drew Butera quite naturally bleed Dodger blue. Butera was reunited with Team Italy leadoff hitter Nick Punto when he was traded to the Los Angeles Dodgers on July 31, 2013. Destined to get the most from one of MLB’s finest pitching staffs, Drew is a valuable asset to the dream team of Dodger General Manager Ned Colletti. Born on August 9, 1983, the Florida-native is the son of Sal Butera—a journeyman catcher who played 359 MLB games for the Blue Jays, Twins, Reds, Expos and Tigers from 1980-1988. Drew was selected by the Toronto Blue Jays in the 2002 MLB Draft but instead opted to play college ball at the University of Central Florida (UCF). Ironically, father Sal now works as a scout for the only Canadian MLB franchise.After throwing out 48% of potential base-stealers and hitting .325 in his last season at UCF, the right-handed catcher was a fifth round pick by the New York Mets in the 2005 MLB Draft.
A big opera fan who used to listen to Andrea Bocelli and Luciano Pavarotti in the clubhouse before games while in the Mets’ minor league system, Drew was named Florida League All-Star and later promoted to Double-A ball in 2007 before being traded to the Twins—where Butera family history was made as Sal and Drew became the first father-son combination to play for Minnesota when he made his MLB debut on April 9, 2010. Known for being able to handle pitches with grace rarely seen at the major league level, he became the exclusive catcher for Carl Pavano. Having a producing a calming effect on his pitching staff while calling a great game from behind the plate, Butera kept Francisco Liriano focused on every pitch which garnered the lefty a no-hitter against the Chicago White Sox on May 3, 2011. Known as a pitcher’s catcher, Drew even went as far as taking the mound to throw a scoreless inning (including a strike out) against the Brewers in 2012.
Drew Butera was a big hit for Team Italy in the 2013 World Baseball Classic. Delivering a two-run home run that helped defeat Mexico and a two-run double that buried Canada. Butera was instrumental in each of Team Italy’s victories to earn the team the right to advance with Team USA to the next round of play in Miami. Dodger teammate Nick Punto was just as important in the WBC. Punto led off in every one of Team Italy’s five games and raked at the plate (.421 batting average, 8-for-19, two doubles, two walks and five runs scored). Both players along with Joe DiMaggio, Phil Rizzuto, Tony Lazzeri, Roy Campanella, Yogi Berra, Ernie Lombardi, Ron Santo, Tommy Lasorda, Tony Conigliaro, Craig Biggio, Tony La Russa, John D’Aquisto, Ken Caminiti, Mike Piazza, Frank Catalanotto, Joey Votto, Jason Grilli, Anthony Rizzo, Chris Denorfia, Dan Serafini, Alex Liddi, Chris Colabello, Brian Sweeney, Mike Costanzo and Reid Rizzo are featured in the Artists’ Tribute to Italian American Baseball Exhibit at Convivio, 2157 India Street in San Diego. Artists’ Tribute to Italian American Baseball showcases original artwork, photographs, uniforms, articles, and other related artifacts related to baseball players of Italian descent and those with strong ties to San Diego. Works by nenowned Italian American artists Christopher Paluso, James Fiorentino, Vincent Scilla, Professor John Giarrizzo, Warren Reed, Zack D’Ulisse, and Rob Monte will be on display alongside sports artists Chris Felix, Vernon Wells, Jr., and Jeremy Nash at the Little Italy Heritage Museum at Convivio Center. For more information on the exhibit and special events–including player and artist appearances, visit www.ConvivioSociety.org or phone 619-573-4140.
While pitching for Team Italy in the 2013 World Baseball Classic, lefty Dan Serafini began his 22nd season playing as a pro in America, Canada, Japan, and Mexico. With 104 MLB appearances for the Twins, Cubs, Pirates, Padres, Reds, and Rockies under his belt, the bullpen has always been a second home for the Twins’ first-round draft pick of 1992. So when when it came time for the San Francisco-born Serafini to choose an appropriate name for his new sports bar located close to the family home at 5215 Vista Blvd. in Sparks, Nevada, it was simply a case of serendipity that he call it The Bullpen at Aspen Glen.
The bullpen at aspen glen come drink kids pic.twitter.com/RxiOO0c8GJ
— Danny serafini (@dannyserafini) June 16, 2013
Dan Serafini has been one of the Bay Area’s hometown heroes since the early nineties. In his senior year at Junipero Serra High School in San Mateo, the southpaw pitcher was on every MLB scout’s radar after going nearly perfect (11 wins and 1 loss) and setting a single-season school record of 149 strikeouts. In his two seasons playing varsity for the Padres, he went 20-2 with a 1.70 ERA and 271 strikeouts. Perhaps the most appropriate way to leave a legacy that overshadows the numerous accolades that other notable Serra alumni have achieved during their high school campaign, Serafini was named to every All-Star team conceivable including: AII- WCAL, AII- County, All Peninsula, and All Northern California.
He was the 1992 WCAL, County and Peninsula Co-Player of the Year in addition to being named the San Mateo Times County Athlete of the Year.
Roberto: San Mateo’s Junipero Serra High School has been known to produce their share of athletes including Barry Bonds and many sports legends. While covering the Australian Baseball League, I learned that Brisbane Bandits’ Chuck Lofgren pitched at Serra High School. Having also played there, how does it feel being surrounded by a strong Bay Area professional athlete fraternity at Serra?
Dan Serafini: Serra High School is a great baseball facility and just a great school to go to. We had a lot of great players: Jim Fregosi, Dan Frisella…even some football players: Lynn Swann, Tom Brady. We have quite an athletic history. Some really good baseball players like Gregg Jeffries have come out of my school.
Roberto: Team Italy slugger Chris Colabello followed the same minor league path to MLB playing for Double-A New Britain RockCats. While you played there, you were named to the 1995 Eastern League All-Star team after going 12-9 with a 3.37 ERA.
Dan Serafini: That was a long time ago. I can barely even remember that. At New Britain, Chris got to play in the new stadium. I played in the old Beehive Stadium, which was more like a high school stadium with a trailer park locker room. I had a good year that year, and it got me a call up to Triple-A before the season was over.
Dan Serafini: It was not an easy team to pitch against for my first time playing in the big leagues, but it was a great memory. It was kind of funny.
The Twins wouldn’t let me into the locker room before the game. They didn’t want any animosity in the locker room because they hadn’t sent anyone down (to Triple-A) yet. I had to stay in a hotel and then on game day I got to show up right before the game started so that I could get ready to play. It wasn’t the greatest experience, but it was still a good experience. I got to the big leagues!
Roberto: At least it was a home game when you had to face the intimidating New York Yankees.
Dan Serafini: Although it was a home game in Minnesota, it was still intimidating. It was the New York Yankees—no matter where you are playing them, they are intimidating. Crowd factor definitely helped. I had the crowd on my side. I loved Minnesota. It was very supportive. I had a great time.
Roberto: You also had some more playing time with the Twins in 1997 and 1998. Was it rewarding for you?
Dan Serafini: It was. I got a very brief opportunity with the Twins. You know, going back from starting to the bullpen and starting and bullpen. I was never really able to fill my niche with the Twins. It was fun. It was rewarding. I’m a Major League Baseball player. There is nothing more rewarding than that.
Roberto: The Chicago Cubs bought your contract from the Twins on March 31, 1999. You made four starts for the Cubbies and put together a 3-2 record in 42 appearances with a 6.93 ERA.
Dan Serafini: The ERA was kind of high, but in my defense I actually pitched really well until the all-star break. I think I only had a 3 or 3.50 ERA up until the all-star break. Then my big
league pitching coach, Marty DeMerritt, wanted me to become a left-handed specialist and drop down sidearm and start pitching sidearm only. So I did that, and it completely screwed up the whole rest of my season. I was walking everybody, giving up all kinds of hits and just all kind of happened. I can’t blame him. He was just trying to help me out, but to change your pitching mechanics in the middle of the season… It’s really hard to make an adjustment to big league hitters. It hurt me pretty good.
Roberto: In the 1999 offseason you were traded to the San Diego Padres and pitched in three games in 2000. How did it feel to come back to your native California to play pro ball?
Dan Serafini: I was there for a long time. I didn’t get many opportunities.
I was mostly like a chess pawn. I just kind of sat in the dugout. I’d go a week straight without pitching in a game.
I didn’t get as many opportunities as
I would have liked to become a better player than I am today. San Diego is beautiful, and I’m from California–even though it’s Northern California where I’m from. Southern California is a beautiful place. I guess I had more fun there off the field than on the field.
Roberto: After being traded to Pittsburgh and playing for the Nashville Sound, you had a 4-3 record with a 2.60 ERA before the call up to the Pirates on August 5, 2000 to make 11 starts.
Dan Serafini: After getting traded from San Diego, I had a really good month or so in Nashville before getting called up.
I made my first start against the San Francisco Giants and won. That could have been probably my favorite time in the big leagues–to be going back home to my hometown and beating San Francisco in San Francisco. I had a pretty good season with Pittsburgh. They were struggling and in last place. I threw well for Pittsburgh. I just didn’t fit in their books.
Roberto: Signing with San Francisco must have been a dream come true?
Dan Serafini: I didn’t get to stay with San Francisco too long. They signed me as a big league player, but they didn’t have a roster spot. I went to Triple-A for a little bit. I was making a substantial amount of money for a Triple-A player so when they couldn’t find a spot for me I got released about a month after
I signed. So I really didn’t get much of an opportunity with San Francisco.
Roberto: You quickly signed with the Mets and played for the 2001 Triple-A Norfolk Tides, where you posted 5-2 record with a 3.31 ERA in 31 games.
Dan Serafini: I didn’t waste anytime—maybe two days later signed with the Mets. Went to Triple-A and played there a little bit. I pitched pretty well, but got into an altercation with the GM. I ended up getting released and walking on over to the other clubhouse and signed up with Milwaukee that same day.
Roberto: You finished off the 2001 season pitching for the Brewers’ Triple-A affiliate Indianapolis Indians and posted a 2-2 record with a 5.96 ERA. However,
you chose to move on from Milwaukee
and were granted free agency in October, 2001. This opened the door for other opportunities, and you ended up signing a minor league deal with the Anaheim Angels. Was that another short-term engagement by design or a matter of being released? Please clear up all the misconceptions and incorrect information the media has picked up on to make you have to stand up for yourself and clarify.
Dan Serafini: Well you know the thing is…the media–they always say you were released, you were released, you were released. But for a lot of those teams I’ve actually picked the option for my release.
I didn’t get released. They would option me down to Triple-A, and I felt that I didn’t deserve to go to Triple-A. So for a lot of those assignments I chose not to go.
Roberto: After opting out of your contract with the Angels, you tried to make a comeback in late 2002 when you signed with the St. Louis Cardinals. You began at Triple-A Memphis, but then on April 21, 2003 you were released.
Dan Serafini: I knew what was going to happen because during the offseason I signed for such a high contract to go to Triple-A. I knew they were using me to fill a spot. So I knew as soon as no one came down from the big leagues or something that I was going to get released.
Roberto: So you expected it?
Dan Serafini: I had signed for a substantial amount of money to go and play in Triple-A. Within the first month when Kevin Ohme was sent down from St. Louis, they got rid of me the next day. I pitched okay there, but it was really hard because I have always been a starter my whole career and I kept bouncing back and forth. I was going from bullpen to starting to bullpen and starting and never got into a rhythm. So for all these teams I played for, I had really a tough time coming out of the bullpen and learning my routine and learning to play. Unfortunately, I didn’t really prove myself that well as well.
Roberto: It sounds like the experiment on the big league level of being a sidearm specialist coming out of the bullpen went terribly wrong. It was not exactly the best training ground for trying something new.
Dan Serafini: No. The only chance I had to experiment was on the big stage, which is really difficult if you are not physically or mentally prepared for those things. I wasn’t…I was only 21 or 22 at the time. It was a difficult road for me–that’s for sure!
Roberto: Did being disillusioned with American pro ball inspire you to head south to Mexico?
Dan Serafini: Yes, I played my first year in 2002. It was winter ball for Mazatlan. I had a great manager and a really fun time there. And they said if I ever had a problem in summer that I was more than welcome to play in Mexico. So after that St. Louis series, I went in 2003 to go play summer ball in Mexico.
Roberto: The Cincinnati Reds noticed and purchased your contract on August 25, 2003.
Dan Serafini: I ended up winning the ERA title. I set the record for the most wins in a row that season. I was a starter. I got back in the my swing of things. I got my mechanics back and pitched really well. I got called up and went straight to the big leagues in Cincinnati.
Roberto: On August 26, 2003, you started against the Milwaukee Brewers.
Dan Serafini: I believe I also started in a game versus St. Louis. Then I went back to the bullpen after I told the GM
I wouldn’t go to the bullpen and that I would only start. Because I had already 130 innings pitched in Mexico, I was tired and said I didn’t want to get up and down every day out of the bullpen. After I said I only wanted to start, the GM said that was exactly what I was summoned there to do–to start for Danny Graves because he got hurt.
So I went there, got two starts and they stuck me in the bullpen. It was a disappointment. I know it’s a business, and I just need to man up and do it. It was just hard. I talked to Bobby Valentine in 2004, and he asked me to go down to Vegas and throw a bullpen for somebody to try out for the team he managed in Japan. I went out there and tried out for the Chiba Lotte Marines. I was hurt at the time. I had a broken collar bone because
I crashed on a motorcycle messing around with my friends. Despite being injured, I still got a good enough report from the try out to go to Japan.
Julio Zuleta charged Dan Serafini on the mound after a ball nearly hit him in Japan in 2004 .
Roberto:: After being granted free agency and playing for Bobby Valentine’s Chiba Lotte Marines in 2004 and 2005 as well as the Orix Buffaloes in 2006 and 2007, were you treated with a little bit more respect in Japan?
Dan Serafini: It was really rewarding because I actually got treated like a player that I was. Japan did nothing but give me the highest respect. Bobby Valentine did nothing but give me the highest respect. He kept me on a routine for the full season, and I had a really good career in Japan. I still talk to Bobby off and on the internet. I was happy to see him as an Ambassador for the 2013 World Baseball Classic. Bobby Valentine throws out the first pitch of the 2013 WBC game between China and Japan.
Roberto: Did you follow all the drama that surrounded Bobby Valentine last year when he managed the Boston Red Sox?
Dan Serafini: I did. In fact, before the season began I called him and asked him for a job to see if I could get a Triple-A job or a coaching/ player job. His hands were tied. He said that he couldn’t make any moves. But I followed him and saw all the disappointing articles about him and stuff from players that couldn’t handle his attitude. I thought it was ridiculous. He’s the smartest guy in baseball–hands down. He may want a little more attention than he deserves, but that’s his character.
If people don’t like it, they try to crucify him. He’s a very good man!
Roberto: It’s too bad he was the scapegoat for the Red Sox.
Dan Serafini: It really was. I know he’s done some things in his past that has rubbed people the wrong way–and we all have. It’s just the way different personalities go–especially when you have a bunch of superstars in the one locker room. It’s almost like you have to walk on eggshells around these people because they’re more sensitive than most people that are not superstars.
Roberto: When a player digs into the batter’s box and gives you a long grimacing stare, is your best response and message to the hitter simply the delivery of your next pitch?
Dan Serafini: Yes, definitely–without a doubt. There’s got to be respect both ways. For me, I’ve always been tired of being called a cheater or having a dismal career by what some reporters have said. I feel like I have fought the longest just like Bobby Valentine did to get my career to where it is right now.
Roberto: You signed a deal with the Colorado Rockies in 2007 and pitched on September 7th against the San Francisco Giants.
Dan Serafini: It was a great feeling. I was excited. It was tough because I had just come back from Japan. I broke my hand in Japan, and they decided to release me at the last quarter of the season just because they were not going to use me anymore and had no chance of the playoffs. So they sent me home, and
I signed with Colorado. I got called up to the big leagues a couple weeks later and after four years of not having seen a major league game got to pitch to my first batter–Barry Bonds!
Roberto: What were the odds of you facing one of baseball’s most feared hitters in your MLB comeback attempt?
Dan Serafini: It was pretty interesting. I had some butterflies.
Roberto: How did you sustain your hand injury overseas?
Dan Serafini: That happened at a game in Japan. I was pitching and lost my footing in the bullpen. It was on my glove hand.
I kind of slipped and fell over. I used my hand to stabilize myself from falling over, and I broke my ring finger, pinky and a couple bones in the middle of my hand.
Roberto: In Japan you also sustained an achilles injury which required medication to help with the healing process and eventually led to a positive test for MLB banned substances when you signed with the Rockies in 2007.
Dan Serafini: I actually got a serious injury and had surgery on my achilles. When I came back from Chiba Lotte, I tore my achilles tendon in the year we won the championship. I signed a two-year contract with the Orix Buffaloes for a substantial amount. My leg with in a cast for four months so they were shooting it up all year long trying to get it balanced back.
After my first year at Orix, I wasn’t throwing very well because my body was so out of balance that it started hurting my shoulder and back. So they told me to just take the rest of the year off and come back for 2007. I was still having problems with my leg and the way my muscles were firing in 2007. So again a doctor was giving me a medication that I didn’t think much of because I passed all of my drug tests and Olympic testing in Japan. So I didn’t even think twice about it. And that’s what it was when I got tested on the last day of the season with Colorado. It was still in my system, and I got busted for it.
Roberto: It looks like MLB used you as a scapegoat to fill their 2007 quota and deter players from using banned substances.
Dan Serafini: Yes, I think so. I mean because I tried to fight it.
I had to do a lot of things for my defense. I had to get the doctor from Japan to come and fly to New York to testify for me in court. He wanted $500,000 to do it because it would give Japan a bad name since I never failed a test in Japan. So I said, ‘Screw it, I’ll take the 50-game suspension and wear it for now.’ I didn’t think that it would be that bad, but Colorado didn’t sign me back. The GM at the time, Dan O’Dowd, didn’t give me my National League Championship ring. They gave me my playoff share because I was there for a short time, but they didn’t give me a ring because they were disgraced by the fact that I was a cheater and stuff like that. It was just bad. An unnamed journalist tried to say that I was trying to respark my dismal career. My response was like: ‘What’s so dismal about making over 10 million dollars?’ I don’t think that’s too dismal…
Roberto: If a man can’t look at me in the eye and share his theory to my face without the facts in hand—and instead choose to hide behind a computer desk in favor of meeting publishing deadlines, then it’s not news worthy in my book.
Dan Serafini: Exactly. You know it’s like so many people just wrote stories about me that never even asked me the details or took the details out. Even Tom Verducci and things he wrote in my
article. I said so many things to balance and justify the difference between cheating and other kinds of uses of certain PEDs or whatever. And they don’t want to listen to that, but everybody wants to be negative and listen in to CNN nowadays.
Roberto: Not a lot of players want to comment in fear of being blackballed. But you are not afraid to speak your mind and represent Team Italia in the World Baseball Classic. It’s your time to shine and be heard.
Dan Serafini: Yes, it is. If people want to call me a jerk, whatever but you know what… I’ve been around this game for 22 years now. And I know that 90% of the people I have played with have said: ‘If I had a chance to use it and make myself better, then I would have too…’ You know, that’s what we’re here for.
Roberto: I don’t blame you for having headed south to pitch for the Monterrey Sultanes after all that nonsense.
Dan Serafini: They were a great organization. I played with them for a while and just kept bouncing back and forth. I pitched
well in Monterrey, got to the playoffs a few times and then I got traded.
Roberto: You spent 2008 and 2009 in Mexico before heading to the East Coast to play for the Bridgeport Bluefish in the Atlantic Independent League.
Dan Serafini: Yes, I did that just for a little bit so that I could get a job back in the states. I wanted more people to see me pitch, but nothing came of it.
Roberto: Yet Mexico loved you and you represented the country in several Caribbean Series.
Dan Serafini: Yes, I believe I played three Caribbean Series for Mexico–all during winter ball because the Sultanes play during the summer. In the winter I played for Yaquis de Obregón in
the 2008 Caribbean Series and then again in 2010 and 2011
I played for Mexico in the Caribbean Series.
Roberto: What’s the difference between baseball played
abroad and in the U.S.?
Dan Serafini: For one, the United States has the best players in the world in the major leagues. So it’s kind of hard to represent the United States because it has so many great players. Mexico and Italy have a lot of great players that have been overlooked by United States. It’s hard. With me representing Mexico, I am one of the better players in Mexico because that’s just where I am playing at the time. With my experience and talent, I can make those teams and play for those teams. I could possibly pitch for Team USA but that team has so many Americans from all over the country to pick from. So it’s really hard to make that team.
Roberto: How were you recruited to pitch for Team Italia?
Dan Serafini: Actually they called me in 2009 and found out
that I was Italian through my agent. After they got the background information about my Italian ancestry, they said that they would love for me to come and try out. I came down, tried out and they said that they could definitely use me as a starter or reliever because of ‘my good arm.’ So the rest is history as far as that.
Roberto: It must have a been a major personal victory for you when Team Italia upset Mexico in the 2013 WBC.
Dan Serafini: Almost everyone on Team Mexico I either played with them or against them. Team Italy asked me to write a
scouting report on the whole team, which I did and gave to the coaches. They watched a few of their games during their exhibition games and said it was ‘spot on’ as far as the scouting report. That’s what we used, and it actually came out well. We pitched well against them. We played great defense against them, and we came out victors.
Roberto: Once Team Italia’s manager Marco Mazzieri gave me his cell phone number, I felt compelled to do the same and gave him a scouting report on Team Canada. We all had to do our part.
Dan Serafini: Well, that’s it…exactly! We’re here to win. Right
now, I’m not an American. I’m an Italian, and I’m here to beat Team USA today. I was there to beat Canada yesterday, and I was there the day before to beat Mexico. Granted I have friends from every team from all over the world, but right now I’m just Italian. I’m here to walk all over every other team.
Roberto: How proud are you to be Italian?
Dan Serafini: I am very proud to be Italian. It’s unfortunate because I have always had a strong Italian family growing up, but Italian heritage or history was never really taught. I never learned Italian even though my father speaks Italian and both of my grandparents only spoke Italian. I just wasn’t brought up that way. Now doing more research about Italy and possibly thinking later in my career to maybe going to play in Italy for a little bit. I’m really interested in the Italian culture and to visit all around Europe. I’m looking forward to it. Italians are a well-educated culture to begin with. Everyone on our team speaks perfect English and perfect Italian. Some speak Spanish, Italian and English. I think they are just educated people. Unfortunately
when you move to another country and are unable to speak their language fluently, you tend to get away from your native language.
I know when I played in Mexico my whole team spoke English. I didn’t have a chance to learn Spanish because people talked to me in English. So it’s not as diverse as you think. It’s a lot harder, even my wife can tell you it’s a lot harder to go there and learn a language because everyone is polite to you and tries to talk to you in your language to make you feel more comfortable. So we have a tendency to get lazy
and not try. But right now I listen to Italian tapes every night because
I want to try to learn Italian.
Roberto: That’s because everyone is trying to be hospitable
and speak your native tongue?
Dan Serafini: Yes. I mean the Italians come right over here, and they all speak English right out of the gate. They don’t even try to speak Italian. They’re like: ‘No, we’re in America now–we’re speaking English.’ That’s what they do.
Roberto: How does having a coaching staff that includes future Hall of Famer Mike Piazza affect your approach to the game?
Dan Serafini: Mike is a great guy. Look at his story–coming from the 62nd round as a favor to his godfather Tommy Lasorda! Something ridiculous like that and becoming the best
offensive catcher of all time…whatever his statistics are.
Being blessed enough to play against him and talk to him,
it’s a great experience. Just because we have one more
person with a ton of experience on our team. He has been
in the spotlight for what…16 seasons! You know, I’ve been
in the spotlight for seven. Grilli has been the spotlight for
eight. So it’s like we have plenty of experience. It’s nice to
have someone of that magnitude on our team helping us out.
Roberto: Mike Piazza could be doing something else with his time,
but his heart and soul are committed to Team Italia.
Dan Serafini: You’re right. It is…and we appreciate that! He could
be doing anything with his time, and a lot of us could be but we’re all here together to represent Italy. We’re going to represent the right way this time.
Roberto: Thank you for your time today. I’m sure this story will be continued next time we get together to talk.
Dan Serafini: Yes, definitely…I’m looking forward to continuing it. I will answer any question that needs to be answered. It’s nice to be able to explain myself for a change, and hopefully one day people will look at me differently.