Located on the heel of Italy’s boot, the Salento Peninsula in southern Puglia is world-class for its pure olive oil, exquisite wine, and crystal clear blue waters off the beautiful coastline. Considered the Jamaica of Italy for its sandy beaches and reggae vibes, Salento is fast becoming known for its share of renowned hometown musicians including–Anthony “Toni” Tarantino–keyboardist, beatboxer and trumpet player for reggae ambassador Alborosie’s Kingston-based Shengen Clan Band.
Having studied and performed classical music and jazz in Europe prior to joining Shengen Clan in 2009, Tarantino was greatly influenced by Cinematic Orchestra, Radiohead, Miles Davis, Duke Ellington and Michel Petrucciani. Fluent in Italian, French, English and Jamaican patois, Toni now travels the reggae world as an accomplished international arranger, producer and musician.
Receiving his first keyboard when he was three years old from his father, who would later in life sing and accompany his talented son at piano bars and special events, the 33-year-old Italian maestro expressed interest early beginning at age five that he aspired to join a top-notch music conservatory. Although it took fourteen years before his dreams were realized in 2001 when he enrolled at Prince Clause Conservatorium in Groningen, Holland to study jazz and piano, Toni began listening to Italian mainstream music such as Modugno, Claudio Villa, and Minabegan before playing regularly in the public eye when he was twelve at his local church. Having played the trumpet concurrently for three years while a member of Tito Schipa, a respected conservatorium for musicians in the Lecce area, in addition to being a skilled keyboardist, Toni decided to focus entirely in playing and studying classical piano. During his early teens, Tarantino drew significant influence from the likes of Bach, Chopin, Albeniz, Debussy, Post Romantic, and Jazz music.
Tarantino’s parents rented a piano so that their son Toni could practice at least eight hours a day in order to receive his piano diploma during the course of six years of study instead of the usual decade of dedication. Sandro P, a friend who served as Monteroni di Lecce’s “Fa la cosa giusta” music association president, encouraged Toni to come along on a well-deserved Jamaican vacation during which time Alborosie invited him to join the Shengen Clan Band. He has since been involved in every Alborosie studio production and tour since 2009. Toni has also produced DJ Gruff, Boom Boom Vibration and Rubens as well as his latest project–Mad Boxes–to critical acclaim.
The loyal and strong California reggae massive were delighted to see headliners Alborosie and the Shengen Clan Band (featuring Toni Tarantino) recently at Reggae On The Mountain in Topanga. Prior to heading up to Humboldt County for Reggae On The River, Alborosie and Shengen Clan make a rare Orange County club appearance on Saturday, August 1st at the Observatory, 3503 S. Harbor Blvd., in Santa Ana. For more information, phone (714) 957-0600 or visit www.observatoryoc.com While you are there, pick up a copy of Alborosie’s latest “Dub of Thrones” release featuring legendary Jamaican producer King Jammy. Last but not least, make sure to watch and ‘like’ Puppa Albo’s new “Rocky Road” video by clicking HERE. Grazie!
The irie reggae vibes on the sandy Salento coast beach of Lido San Basilio (San Foca) in the province of Lecce located in the Puglia region of southeastern Italy rival those found in the Jamaican dancehall today. With “Free Music for Free People” as its motto, Mamanera Beach has been a favorite spot for reggae artists and fans alike. Montego Bay-born reggae dancehall diva Tenza told Jamaica Observer that Salento was legit and said: “The way they embraced the music and the Jamaican culture was absolutely amazing and memorable. They came out in numbers. The atmosphere was like being back in Jamaica, where every night was another party and people just rave non-stop to dancehall and reggae music even if it’s raining.”
The 2015 Mamanera Reggae Boom Beach summer lineup is as follows: July 25–I-Shence (Perugia); August 1–Villada Posse (Rome); August 8–Black Chiney (Miami); August 10–Mr. Vegas (Jamaica); August 12–Johnny Osbourne (Jamaica)/Soul Stereo (France); August 13–Heavy Hammer Sound 16th Anniversary Party with Killamanjaro Sound (Jamaica); August 15–Sound Clash between Sentinel Sound (Germany) and Coppershot Sound (Jamaica); August 17–Mananera Revolution; August 20–Original Salento Dancehall: No-Tap! with Mamanera All-Stars. www.Mamanera.com
Established in 1999 in on the outskirts of Lecce in Salento–otherwise known as “the Italian Jamaica”–Heavy Hammer is the resident sound crew on the world-famous Mamanera Beach every summer alongside some of best entertainers in the business. Initially four friends who shared a common love for reggae dancehall music, sound systems, Jamaican culture and partying all night on the beach, Heavy Hammer has grown to become a family of seven–including Raffa, Gecky, Gigi, Quasta, Lep, Boris and Charly. Learn more about Heavy Hammer, the promoters of the annual Mamanera Reggae Boom Beach at www.HeavyHammer.it
Nick Leto, manager of the Kansas City Royals’ Arizona Operations, is worth his weight in gold for not only signing 17-year-old Italian MLB prospect Marten Gasparini but also for his outstanding work as a minor league affiliate leader. The recent recipient of the organization’s Matt Minker Award after eight years of dedicated service, Leto is critical to the success of the Major League Spring Training in Surprise and the Kansas City’s Rookie League affiliates. It was Leto who recommended Gasparini to the organization after seeing the speedy switch-hitting shortstop in Italy. Having spent much time working at the Italian MLB Academy in Tirrenia in 2006 and 2007, Nick had close connections with former Chicago Cubs’ international scout and FIBS Academy director Bill Holmberg. So when word got out that a very special player was training and developing under Holmberg’s watchful eye, Leto had a distinct Italian famiglia advantage over all MLB suitors.
Marten Gasparini was the first European baseball player to sign a contract in excess of $1 million dollars when the Royals signed him in 2013. Heralded by Baseball America as “quite possibly Europe’s best prospect ever”, he is the real deal. After starting with 2014 Rookie League Burlington, Marten played his final four games with Idaho Falls and went 5-for-11 with a home run and three RBI. With six stolen bases in 23 games, Marten Gasparini is a natural-born athlete. Roberto: You have some Jamaican roots, with your mom being of West Indian descent living in London, and your father being Italian. In both cultures, family is very important and is the foundation for everything.
Marten Gasparini: Yes, it is. I don’t know know much about Jamaica because my mom and I have never been there. But in Italy…absolutely family is the biggest thing, and nothing is more important than family.
Roberto: You began playing stickball when you were eight-years-old and picked up your first baseball bat at age 10, correct?
Marten Gasparini: Yeah, like for fun with my friends. I used to watch baseball movies and read books and newspapers about the game. Everybody loves America, you know. America is famous throughout the whole world. American sports are famous…baseball, basketball, football. They are kind of attractive. I wanted to try it and see how it would turn out.
Roberto: Did you always play shortstop or with the speed you that you possess and are blessed with did you find playing centerfield gave you more versatility? Did FIBS Academy Director and Team Italia coach Bill Holmberg have a big influence on you while playing for the Italian National team at the various levels?
Marten Gasparini: He has been a positive influence on me and has put me at shortstop because he always thought that was the best position for me to play. I can play in the outfield and that’s where I played my first workout with the Italian National Under 18 team. That was because I was young and they needed players with more experience at that position.
Roberto: Playing with the Italian National team in Seoul, South Korea and Chihuahua, Mexico must have impacted you personally and professionally as you became a more confident and mature ballplayer.
Marten Gasparini: It was nice. It’s always nice to see different cultures, meet different people from other countries and see how life is over there. It was fun and interesting for me to get to see all these countries. It’s obviously been helpful for me to be a part of these international tournaments.
Roberto: The spotlights were on you.
Marten Gasparini: Exactly. It was exciting and a very important experience for me.
Roberto: Having been on that international stage, has that prepared you now ay you ascend up in the minor leagues with desire to become a major league ballplayer?
Marten Gasparini: I think it is different because when you play for your national team it just because of the pride you have got for the team. You want your team to win when you want your country to have success in these types of tournaments. But here (in Arizona) it’s obviously a game but you have to do if for a job. Any you look forward (to the future). It’s like a project. It’s a path you have to go into. It’s not that important to play hard now if you keep healthy, but maybe in some international tournaments you have to give all you got in a short period of time. I think this is the biggest difference.
Roberto: You have some personal favorite players in Derek Jeter, Yasiel Puig and Matt Kemp. What do these players have that has resonated in your heart to make you desire to be at their level?
Marten Gasparini: Derek Jeter is such a professional player and he is a legend. He became a legend for a team like the Yankees coming from the bottom. He was raised by them, and he became their captain. That’s something that everybody would like to be for their organization. I like the excitement that Kemp and Puig can bring to the table when they play. They are very athletic and explosive players. I like the way they play the game.
Roberto: After visiting the Italian MLB Academy and watching you play with some of the best European prospects, I came to realize the potential of baseball outside of the U.S. Do you think Italy cam be one of the best emerging markets for the game?
Marten Gasparini: We’ve been working a lot to make things possible. I think there are more players to come. There have already been some players that have been signed by professional teams, and I think that I can be a big part of it.
Roberto: Watching Team Italia in the 2013 World Baseball Classic must have been inspirational to you. Did you wear your pride on your sleeve during the competition?
Marten Gasparini: Yes. We were at the Italian Academy in Tirrenia watching the games. We were all watching the TV and not missing a minute or a pitch. We were all super excited when the games ended in our favor over Mexico and Canada. It was one of the most amazing feelings I have ever had.
Roberto: While working out at the Italian Academy, you had frequent visits from Team Italia hitting coach Mike Piazza.
Marten Gasparini: I didn’t really get to know him well. Just having him there with Bill Holmberg was amazing. I know that they are very close friends. Just having a person like him coming down to watch us play is an honor for me.
Roberto: Mike Piazza wants to give back to the game in Italy in honor of his heritage.
Marten Gasparini: He has pride in his origins and this is a good thing that everybody should have.
Roberto: What are your personal goals now that you have reached the professional level with the Kansas City Royals?
Marten Gasparini: It was my expectation and in my plan to go pro since I started playing baseball to be this type of player and achieve these results. I’m very happy to be here. I’m blessed to be here. Now I just have to keep working.
Roberto: What does it mean to be a part of the Kansas City Royals family with the rich history of great all-stars that have come out of the franchise?
Marten Gasparini: I think the Royals are one of the greatest organizations in all of sports. I’m very happy to be a part of it. I think I’m with the greatest group of people that I could choose. Of course, their history speaks for itself just by saying the name George Brett and the kind of player he was. He has been a very important part of the baseball game history.
Roberto: Coincidentally, the Royals and Team Italia share the same color uniforms. You couldn’t have predicted a better outcome.
Marten Gasparini: Maybe a coincidence?
Roberto: Or more like by design..
Marten Gasparini: Yes!
Roberto: Showing up at the Royals Instructional Camp in Arizona. You must have met a melting pot of cultures from the Caribbean and South America who share the same passion for baseball.
Marten Gasparini: There is even a Korean player. I think the Royals have always been doing a great job of signing international players. We have here a great group of international players that have pride and passion for the game.
Great to see Alex Liddi and Marten Gasparini in @Royals camp today. KC is the favorite baseball team of Italy. Great colors too. #Azzurri
Roberto: Do you hope to become a role model for Italian baseball players wo have the same dream to play professionally as Alex Liddi did by being the first Italian-born-and-developed player to make it to the Big Leagues? What do you and Alex Liddi have in common?
Marten Gasparini: He already achieved the feat to become a Major League baseball player. I still have to work my way to get there. But if I can say something. We both might be good examples for young players in Italy to believe in their dreams and believe in themselves. Just for them to work hard and be what they want to be.
Roberto: Let’s predict the 2017 Team Italia WBC lineup and say that both you and Liddi play the infield next to each at shortstop and third base. That must be on your mind.
Marten Gasparini: It is absolutely… I’m looking forward to it. It will be a great honor for me to play in that tournament with Alex Liddi and Mike Piazza on the coaching staff. But like I said I have to work hard and to focus to get there.
Roberto: Have you ever thought of how it have been for you had you would have been invited to play shortstop for Team Italia in the 2013 WBC?
Marten Gasparini: I don’t think I would have been ready to go there. I have respect for the shortstop that played for Team Italia. It wasn’t easy for anybody to play in that kind of tournament. It was the first-time for many of the Italian players who had no international or major league experience. That is just something that happens. I don’t know how I would have dealt the emotions and everything. I still think that Italy has done a great job in the World Baseball Classic. It’s just the first of years to come. I think we will have a very good team in the next World Baseball Classic.
Roberto: Enough respect to Team Italia shortstop Anthony Granado. We love you like pasta. It was commendable for him to step up in the WBC.
Marten Gasparini: I think that he was a great player.
Roberto: It’s just how the game goes. Baseball is a game of chance and strategy. Where the ball bounces, nobody knows… Despite many of the players just meeting for the first-time in the WBC, Team Italia played like a family as if they had been playing together for years.
Marten Gasparini: That shows the pride that these players have for their origins. It’s nice to know that people have respect for Italia.
Roberto: You were raised in a part of Italy near the Slovenian border. What was that like?
Marten Gasparini: It really didn’t influence my life. I’m pretty far from it. But I’m still in a region that also has multi-cultural roots. It is near Slovenia and Austria so you can see and hear people talking in German, Slovenian and Italian as well. So it’s kind of a multi-cultural region.
Roberto: You spent a lot of time in London with family as well.
Marten Gasparini: Yes, with my mother’s mother and her brothers and sisters. Roberto: So you must have had some Jamaican reggae music influence?
Marten Gasparini: Yes. I like reggae music. I’m not really a good dancer, but we could see the Jamaican roots.
Roberto: As Bob Marley did in promoting reggae internationally, you are doing the same thing for baseball in Italy and Europe.
Marten Gasparini: I’m honored to have the opportunity to do that and represent my country in that way.
Roberto: What kind of music are you listening to now in America?
Marten Gasparini: Maybe some rap or some deejays with electronic music. It’s very popular here so I just get into the mood and listen to the beat.
Roberto: Did you learn about Italian American icon Joe DiMaggio growing up?
Marten Gasparini: Joe DiMaggio was more popular in Italy for his marriage to Marilyn Monroe than a baseball player. But obviously baseball wise he’s one of main parts of Italian baseball history. We’re very proud of having him. He’s just one of many Italian American players that made this sport so great.
Roberto: And his visit to Nettuno only confirmed how big of an impact Americans had on baseball’s growth in Italy.
Marten Gasparini: Obviously Nettuno was the biggest thing for baseball in Italy when the Americans introduced the game during World War II. But also near where I live in Trieste the Americans were there too teaching baseball to us Italians.
Roberto: Are you learning any other languages so that you can continue to teach others the game?
Marten Gasparini: I have translated for American coaches coming over to talk to Italian teams. Right now I’m learning how to speak Spanish so that I can help some of the Latin players. A lot of the players here have been friendly and have asked me to help them learn some words in Italian and how to speak the language. It’s very hard for them to understand it, but I’m trying to do my best.
Roberto: You are blessed with speed. Have you have always been gifted to be the leader of the pack?
Marten Gasparini: Yes. Since I have been in school, I have always been one of the fastest in my class. I had fun showing off my speed by playing games and playing soccer. I have always had fun running fast.
Roberto: In baseball your mind has to be in the present one pitch at a time rather than daydreaming about the future.
Marten Gasparini: That’s the mindset that every player has to have if you want to have success. You have to work. Like I have been told it’s a grind, and it’s not easy for anybody. But you have to keep working and keep your mind focused on what you have to do in order to have success.
Roberto: What advice do you have for all the young players aspiring to become professional ballplayers?
Marten Gasparini: You just got to have fun. Keep in mind your dreams and remember to be professional by playing the game in a professional way. Most importantly enjoy…
Roberto: Any words for Bill Holmberg, director of the Italian Academy and the people behind the scenes at FIBS?
Marten Gasparini: Thank you very much for all the things you have done for me. I appreciate it a lot. I will always keep you in my thoughts, especially all the things that you have taught me. It’s still a big part of my mindset every day.
When asked to special guest Friday morning at 8 am (Perth, Australia time) or Thursday afternoon at 4 pm (PST, USA time) on ABC Grandstand Strike Zone baseball radio show by host @CJColeman after completing my most comprehensive article to date
“MLB digs ‘Down Under’ and find nine Aussie stars”, I requested to include one of the featured Australian players–Pitcher Shane Lindsay of the Los Angeles Dodgers–because of a recent tweet received from @ABQTopes (LA Dodgers Triple-A affiliate Albuquerque Isotopes). I thought to myself that if anyone deserved to go directly from the Australian Baseball League straight to Major League Baseball without any pit stops it was the recently signed Dodger flamethrower. After the Isotopes were kind enough to retweet my article to its 2500 followers, I tweeted back: “Thanks for the RT (retweet) and for sending the Dodgers your best talent. Do you think Aussie Shane Lindsay will wear True Blue after ST (spring training)?”
Moments later @ABQTopes replied,
“He has the tools to impress, but new ownership will have the final say.” Time will tell who exactly will sign Lindsay’s checks, but in the meantime he is training rigorously in Arizona to prepare for the pitcher and catcher February 21st report date at Camelback Ranch in Glendale. Shane emailed me: “Hey mate, doing good…working my butt off in Phoenix and getting ready for camp at athlete performance.” Lindsay is taking this challenge very seriously.
Without a doubt, Lindsay could very well be vintage Jonathan Broxton
with additional strength out of the bullpen. Last season wearing Chicago White Sox silks, the gutsy and often “wild” Australian hurler was not afraid to throw inside with his intimidating signature upper 90’s fastball to strike out hitters. The Dodgers believe Shane Lindsay has what it takes to become successful in MLB, and all he has to do now is figure out who to impress…the “wild” Kim Kardashian?In order for me to impress on why you should vote for me to be in the 2012 MLB Fan Cave by clicking HERE so that I may deliver an innovative and fresh approach to the coverage of pro baseball and also report on the latest cutting-edge music and pop culture trends, it is imperative to hear from others about my positive influence on them–as I am not accustomed to being my own publicist! Let’s first connect the dots through the Skunk Records and Sublime stories as told by San Diego-based Slightly Stoopiddrummer Ryan ‘RyMo’ Moran.
While on the road with Rebelution , Ryan Morgan recently spoke about my good friend, Mike ‘Miguel’ Happoldt–co-founder of Skunk Records and producer for Sublime, Slightly Stoopid, Unwritten Law, Long Beach Dub All-Stars and Long Beach Shortbus. ‘RyMo’ explained, “In a nutshell, Skunk Records was two people. It was Brad Nowellfrom Sublime, and Mike Happoldt. Mike Happoldt is still one of our producers to this day, we work with him all the time. Basically those two guys started that record label as an underground Long Beach record label. It was basically two friends who just put their heads together and said, ‘Hey, we’re going to start recording.’ At the time, Mike Happoldt was called ‘Miguel’. Miguel was going to Long Beach State and he was in a recording arts music program there … and so after hours there they would sneak into Long Beach State, and Sublime recorded a whole bunch of stuff there. They would basically just sneak in after hours and use the studio from like, 8 p.m. ‘till 4 in the morning and then come back in the next night and do it all again. Skunk Records really was just a grass roots movement between those two guys.
Now sadly, we all know the story that Brad Nowell passed away in ’96 from an overdose on heroin, which sucked. At that point Mike, or Miguel, basically kept the label going, but it shrunk considerably. It went from like a full-on functioning label to just basically him doing stuff out of his house on a smaller scale. Basically, Skunk Records released quite a few records from bands like The Ziggens, one of Sublime’s favorite bands from back in the day. They released a good amount of other stuff —- obviously the work they did with Long Beach Dub All-Stars. Basically, Skunk Records is just Miguel Happoldt. It’s his project.”
When LA music industry insider executive Dana Smart interviewed Mike ‘Miguel’ Happoldt about Sublime and the influence of reggae, yours truly got some serious props.
Mike said, “Brad was a huge fan of DJ Roberto Angotti of KNAC (not metal yet) in Long Beach. He taped every show between 1985 and 1986.” You can listen to some of the songs that Brad loved by clicking on the following podcast link–The Waxcast Episode 2: Homage to Reggae Revolution–a loyal listener’s tribute to my radio show
before moving on to Los Angeles’ #1 Young Adult Radio Leader, ‘The World Famous KROQ 106.7 FM’, where I deejayed from 1986 through 1992.
I would see Brad regularly when I promoted Club Reggae at Fenders Ballroom in downtown Long Beach, where huge punk groups would perform in the larger room and Jamaica’s Wailing Souls and Eek-A-Mouse, England’s Pato Banton and Tippa Irie as well as LA’s Untouchables and Fishbone and other reggae/ska groups would play in my part of the ballroom on weekends. We would not discriminate against anyone who would enter our Punky Reggae Party. Long Beach experienced a London boomtown feeling in the early/mid-80’s. I clearly remember Brad joining me in the DJ booth when I promoted Eek-A-Mouse and Sublime together at Bogart’s in Long Beach. He came again to check me at an Andy Summers gig as well. When singer Gwen Stefani and bassist Tony Kanal from No Doubt were a couple without a contract, they would frequent my OC Club Reggae where I would test market their records on the dance floor. After graduating early in 1980 from high school at age 17, I studied abroad in London and immersed myself in the 2 Tone movement. Borrowing elements of ska, punk rock, rocksteady, reggae and New Wave, bands like The Specials, The Selecter, The (English) Beat, Madness, Bad Manners, and The Bodysnatchers were the talk of the town. However, it was UB40’s “My Way of Thinking” that captured my imagination. Their progressive and upbeat style of British reggae was ear candy, and I could not get enough of it. I also learned of another Birmingham-based band called Steel Pulse. I collected records from London’s Aswad and Linton Kwesi Johnson as well. The artists trusted me, and I traveled with UB40 throughout America as their emcee while supporting Sting and The Police. I became the first radio deejay to interview British reggae, ska and two tone artists and break their records in America while hosting “Roberto, Rock, Reggae” on KSPC 88.7 in Claremont, California. Although a college station, the strong 3000 watt signal penetrated in Orange, LA, Riverside and San Bernardino counties. Within two years in 1982, I got my first real job in commercial radio when I was hired as a new music jock.
Working overnights at ‘Rock N Rhythm KNAC’ in Long Beach, I mixed New Wave and Classic Rock from the 50’s-70’s in this unique format which allowed deejay freedom with two personal choices per hour. I would bring in my crate of records from independent and unsigned artists to customize my radio show with a healthy dose of reggae and ska. After I had created a huge buzz for the music, I was rewarded with the first reggae show–“Reggae Revolution”–on commercial radio in addition to working my KNAC new music weekend deejay shifts and serving as program director of Pomona College’s KSPC. Often I would receive acetate test press copies of songs fresh out of the studio from up-and-coming LA New Wave bands like the Mystic Knights of the Oingo Boingo (who would later drop the long name), The Motels, X, The Blasters, The Plimsouls and Missing Persons. The groups would have listening parties while paying close attention to the audio quality of the recording on-the-air before going back in the studio to master the song.
Although we did not have the signal strength of LA powerhouse KROQ, Long Beach’s KNAC–lead by the innovative program director Jimmy ‘The Saint’ Christopher (who would later become the PA announcer for the Texas Rangers at the Ballpark at Arlington)–was looked upon by the music industry as an indicator station. While other stations would only play one or two tracks from an album, KNAC would dig deeper and play as many as four or five. Once research had indicated that the public liked the tracks, then only would the more conservative and bigger KROQ’s of the world would add songs to the playlist–especially if there was payola.
I thought that I would never sell my soul to the corporate giants, but it took a KNAC format change to Metal in 1986 for me to take a sabbatical in the UK and come back stronger than ever at KROQ. While a Film Studies major at Claremont McKenna College, I had done a documentary of the English Beat and written my thesis on reggae based upon two interviews with legendary original Wailer, the late and great Peter Tosh. He was the Original Jamaican Rude Boy that many of the two tone characters emulated years later in England.After graduating from college and taking some time off, I embarked on a journey to document UB40’s making of the ‘Geoffrey Morgan’ Album in their hometown of Birmingham, England. Staying at each band-member’s house a week at a time, it goes without saying that the lads were tired of my eternal smiling grin and my video camera staring at them every step of the way. Upon arriving at their DEP studios in the industrial section of Birmingham’s Digbeth, the band suggested I go down to an open audition held underground at a local pub where local talent would be performing live.
My life would change forever… At the time, a local MC by the name of Pato Banton had recorded two tracks on UB40’s ‘Baggariddim’ Double Album. One of the tracks, “Hip Hop Lyrical Robot”, was a B Side to the #1 song “I Got You Babe” featuring Chrissie Hynde from The Pretenders. After the success of the Beat’s “Pato and Roger Ago Talk” off the Beat’s ‘Special Beat Service’ Album, Ranking Roger continued to produce Birmingham’s top MC while Pato was on fire.
Roger did not disappoint the local reggae massive when he produced Pato’s 12″ single called “Mash Up The Telly”, which was the song that I had videotaped at the audition and later became a big UK smash hit. Before I could stop the camera and say hello, Pato was out the door and gone… I was blown away at his amazing talent and charisma on camera. I showed the footage to UB40 back at the studio, and the next day keyboardist Mickey Virtue game me Pato’s 12″ single “The Boss” and business card.
I immediately phoned and arranged a meeting with Pato’s manager, Grantley ‘G.T.’ Haynes. I learned that he also managed another client from London’s #1 Saxon Sound named Tippa Irie, who had massive success with “Hello Darling”. I had been sending postcards to KROQ Program Director Rick Carroll so he would expect me when I arrived back in LA. Equipped with new vinyl and a vengeance to get back on the radio, I brought back “Reggae Revolution” to the Southern California airwaves with a much improved signal that reached five times the amount of listeners I had previously at KNAC. Within a few months,Pato Banton and Tippa Irie were signed to U.S. recording contracts.
I arranged for Pato to record a song at the KROQ studios with the San Diego-based rock group Private Domain. The end result was “Absolute Perfection”, and the song became an instant hit on commercial radio throughout America in addition to a staple in the KROQ Top 10 playlist. Later I took Tippa Irie to see his first Black Eyed Peas concert at the Belly Up in Solana Beach. The end result there was “Hey Mama”, a track that broke radio charts internationally and was a MTV favorite. UB40 have always respected my writing style, and they paid me the ultimate compliment when they asked me to write the liner notes for their Dancehall Album.
After they flew me to Jamaica, I was able to work out of Ali Campbell and Brian Travers’ Oracabessa Records HQ in St. Mary. There I would vibe up full stop and meet a long cast of Jamaican stars passing through including Sly & Robbie, Rappa Robert, Toots Hibbert, Jack Radics and Mr. Vegas. Once word got out that I was writing liners, the phone rang constantly. The Sublime camp always loved my articles for Mean Street Magazine and asked for to write the liner notes for ‘Sublime: Everything Under the Sun’ Box Set. Mad Professor requested that I write Macka B’s ‘Global Messenger’ CD liners as well.
Music Club U.S.A. allowed me to go through the entire Fashion Records catalogue out of South London and produce two compilation CDs: ‘Love All Night’ and ‘Essential Dancehall Classics’. Despite having my plate full between teaching English in Orange County and freelance writing nonstop, I continued working with Pato Banton as he had a long list of recording artists who to this day consider him an inspiration and a foundation artist. Sting recorded with Pato on a couple occasions and flew he and his band on his private jet to Spain. Peter Gabriel recruited Pato to join him on his international WOMAD Tour. Ali and Robin Campbell scored a #1 hit with Pato on “Baby Come Back”. I have since arranged for Pato Banton to tour with the likes of 311, Matisyahu, English Beat, and Argentina’s Los Pericos. Tippa Irie and Pato Banton are first-rate live performers and consummate professionals in the recording studio. Both constantly in demand, it won’t
be long before they each throw out the first pitch at an upcoming MLB game and perform live in the MLB Fan Cave.