Alex Liddi, Major League Baseball’s first Italian-born-and-developed player, has arrived at LA Dodgers’ Triple-A affiliate in Albuquerque with hopes of joining fellow Team Italia teammate Drew Butera when MLB rosters expand in September. Liddi will be in good company in New Mexico, where the close-knit Italian-American community in Albuquerque will welcome him.
Having a strong presence in Albuquerque since the transcontinental railroad first arrived in the city in 1880, the Italian Americans will now have the opportunity to relish over Italy’s pride and joy and San Remo’s hometown hero as the latest addition to the Isotopes roster this summer. Similar to that of early Italian immigrants’ journey, struggle, and perseverance after leaving their motherland in Italy for better lives in America, Liddi has also endured his own personal and treacherous MLB roller coaster ride up-and-down the ranks in the Seattle Mariners, Baltimore Orioles and Chicago White Sox organizations prior to signing a minor league contract with the LA Dodgers. With most of his Big League experience defensively at first and third, Liddi is a versatile player who can play shortstop and the outfield. Having played in 61 regular season games since making his MLB debut in 2011, the 25-year-old slugger is anxious to prove himself worthy of a trip out west to LA. Alex Liddi has a strong connection to Los Angeles since his father, Agostino (Augustine), graduated from Beverly Hills High School in 1970. Agostino’s parents left Italy shortly after World War II to work as tailors in America. While attending Beverly Hills High School, Agostino Liddi played baseball before repatriating to Italy after graduation. It was there that he met his future wife, Flavia, who played softball competitively in Italy. Alex was literally weaned on baseball by his father and mother. You could say that Alex was a truly a baseball baby because it was reported that Flavia played first base for the first three months of her pregnancy carrying Alex. When Alex was old enough to play baseball, his mother coached his teams. As a teenager, his father drove him long distances to compete in games throughout Italy. With sons, Thomas and Alex, the couple shared their love of the game to transform the Liddi’s into Italy’s premier baseball family.
What made Team Italia so heavenly to watch in the WBC was due in part to manager and Dodgers’ European Scout Marco Mazzieri’s faith in Alex Liddi. Mike Scioscia’s Los Angeles Angels became believers in a WBC warm up exhibition game in Tempe prior to the start of the 2013 international competition. Liddi went 2-for-3 with a double, a two-run home run and 3 RBI against the Halos. The Italian cleanup hitter continued his hot-hitting ways and played stellar defense at third base during the first two WBC games against Mexico and Canada. He literally wrecked havoc on opposing pitchers by going 4-for-7 with two walks, three runs and three RBI. The two wins ensured Team Italia’s advancement to the next round of action with USA against WBC Champion Dominican Republic and runner up Puerto Rico. If Liddi can rediscover his offensive prowess while in Albuquerque, then the face of European baseball will be a big name in Little Italy and Chavez Ravine.
A cattle rancher with properties outside Houston and also in his hometown of Aguadulce, Panama, MLB free agent Carlos Lee may not know where he is headed to play for the 2013 season. Yet he does know that home is where the heart is, and right now Panama is his immediate destination for the upcoming World Baseball Classic Qualifier at Rod Carew Stadium in Panama City beginning with host Panama’s opening game against Brazil on November 15th and culminating with the live
MLB Network televised WBC Qualifier Final on November 19th at 5 PM (PST). Home Sweet Home Panama will be Lee’s final outpost when he decides to gracefully retire at the end of his celebrated Major League Baseball career. “When I’m finished, I’m planning to go back home,” Lee said. “I’m from Panama. It’s pretty safe and nice there.”
Although 36-year-old Carlos Lee was last seen wearing a Miami Marlins uniform after a 2012 midseason trade, he has always been a fan favorite from early on in his career while playing for Chicago White Sox (1999-2004), Milwaukee Brewers (2005-2006), Texas Rangers (2006) and Houston Astros (2007-2012). White Sox TV announcer Ken “The Hawk” Harrelson–who witnessed firsthand Lee’s 2004 28-game hitting streak, which broke the franchise record and surpassed Rod Carew’s 25-game record for a Panamanian player–knew that the three-time MLB All-Star (2005-2007) and two-time Silver Slugger (2005 & 2007) was a special player and coined him “El Caballo”.
Despite his place in the White Sox records book, many think of Lee as a lifetime Texan. As the cleanup hitter for Houston, he drove in 100 or more runs in three of his five Astro seasons, averaged 26 homers and hit over .300 three times. Carlos Lee would rather be known for his comparison to Texas ranching icon Nolan Ryan–not for his seven no-hitters, 27 major league seasons, the all-time strikeout record, or his 324 wins–but rather for Ryan’s 2011 Golden Spur Award, which recognizes leadership and exceptional service to the ranching industry.
“El Caballo” lives up to his nickname as the owner of Slugger Ranch in Texas, where he raises prize-winning Brahman, and nine ranches in his native Panama. Lee instantly won credibility with his 2006 Brahman Grand Champion at the largest Brahman show in the world at the Houston Livestock Show and Rodeo. Two years later, he donated $25,000 and over 300 bales of hay to support Texas ranchers whose properties were ravaged by Hurricane Ike.
Growing up around his grandfather’s passion for cattle ranching, Lee is now passing down his love for baseball and cattle breeding to his own son, Carlos Alejandro. Jim Williams of V8 Ranch said of Lee: “Carlos is not only a good baseball player, but he’s also the most progressive breeder in Panama as far as importing top genetics. He probably knows the pedigree and bloodlines of his cattle like a sportscaster would know about statistics.”
Whether it’s the playing of the game of baseball, the breeding of cattle and quarter horses, or the roping of calf, Lee wants to leave behind the family legacy of being among Panama’s best. Baseball Hall of Famer Rod Carew, who was born in 1945 on a train in the city of Gatún–in what was then known as the Panama Canal Zone–currently holds the honorary title of Panama’s best all-time hitter. So it’s only appropriate that the country’s best–including “El Caballo” Carlos Lee–will be playing in the World Baseball Classic Qualifier under Panama’s legendary manager Roberto Kelly against Brazil, Colombia and Nicaragua at Panama City’s Rod Carew Stadiumbeginning November 15th. While handicappers are betting on
five days of modified double-elimination competition, insiders will be banking on plenty of horsepower from “El Caballo” Carlos Lee–who plans to lead Panama
from gate-to-wire en route to the WBC Winner’s Circle.
When asked to special guest Friday morning at 8 am (Perth, Australia time) or Thursday afternoon at 4 pm (PST, USA time) on ABC Grandstand Strike Zone baseball radio show by host @CJColeman after completing my most comprehensive article to date
“MLB digs ‘Down Under’ and find nine Aussie stars”, I requested to include one of the featured Australian players–Pitcher Shane Lindsay of the Los Angeles Dodgers–because of a recent tweet received from @ABQTopes (LA Dodgers Triple-A affiliate Albuquerque Isotopes). I thought to myself that if anyone deserved to go directly from the Australian Baseball League straight to Major League Baseball without any pit stops it was the recently signed Dodger flamethrower. After the Isotopes were kind enough to retweet my article to its 2500 followers, I tweeted back: “Thanks for the RT (retweet) and for sending the Dodgers your best talent. Do you think Aussie Shane Lindsay will wear True Blue after ST (spring training)?”
Moments later @ABQTopes replied,
“He has the tools to impress, but new ownership will have the final say.” Time will tell who exactly will sign Lindsay’s checks, but in the meantime he is training rigorously in Arizona to prepare for the pitcher and catcher February 21st report date at Camelback Ranch in Glendale. Shane emailed me: “Hey mate, doing good…working my butt off in Phoenix and getting ready for camp at athlete performance.” Lindsay is taking this challenge very seriously.
Without a doubt, Lindsay could very well be vintage Jonathan Broxton
with additional strength out of the bullpen. Last season wearing Chicago White Sox silks, the gutsy and often “wild” Australian hurler was not afraid to throw inside with his intimidating signature upper 90’s fastball to strike out hitters. The Dodgers believe Shane Lindsay has what it takes to become successful in MLB, and all he has to do now is figure out who to impress…the “wild” Kim Kardashian?In order for me to impress on why you should vote for me to be in the 2012 MLB Fan Cave by clicking HERE so that I may deliver an innovative and fresh approach to the coverage of pro baseball and also report on the latest cutting-edge music and pop culture trends, it is imperative to hear from others about my positive influence on them–as I am not accustomed to being my own publicist! Let’s first connect the dots through the Skunk Records and Sublime stories as told by San Diego-based Slightly Stoopiddrummer Ryan ‘RyMo’ Moran.
While on the road with Rebelution , Ryan Morgan recently spoke about my good friend, Mike ‘Miguel’ Happoldt–co-founder of Skunk Records and producer for Sublime, Slightly Stoopid, Unwritten Law, Long Beach Dub All-Stars and Long Beach Shortbus. ‘RyMo’ explained, “In a nutshell, Skunk Records was two people. It was Brad Nowellfrom Sublime, and Mike Happoldt. Mike Happoldt is still one of our producers to this day, we work with him all the time. Basically those two guys started that record label as an underground Long Beach record label. It was basically two friends who just put their heads together and said, ‘Hey, we’re going to start recording.’ At the time, Mike Happoldt was called ‘Miguel’. Miguel was going to Long Beach State and he was in a recording arts music program there … and so after hours there they would sneak into Long Beach State, and Sublime recorded a whole bunch of stuff there. They would basically just sneak in after hours and use the studio from like, 8 p.m. ‘till 4 in the morning and then come back in the next night and do it all again. Skunk Records really was just a grass roots movement between those two guys.
Now sadly, we all know the story that Brad Nowell passed away in ’96 from an overdose on heroin, which sucked. At that point Mike, or Miguel, basically kept the label going, but it shrunk considerably. It went from like a full-on functioning label to just basically him doing stuff out of his house on a smaller scale. Basically, Skunk Records released quite a few records from bands like The Ziggens, one of Sublime’s favorite bands from back in the day. They released a good amount of other stuff —- obviously the work they did with Long Beach Dub All-Stars. Basically, Skunk Records is just Miguel Happoldt. It’s his project.”
When LA music industry insider executive Dana Smart interviewed Mike ‘Miguel’ Happoldt about Sublime and the influence of reggae, yours truly got some serious props.
Mike said, “Brad was a huge fan of DJ Roberto Angotti of KNAC (not metal yet) in Long Beach. He taped every show between 1985 and 1986.” You can listen to some of the songs that Brad loved by clicking on the following podcast link–The Waxcast Episode 2: Homage to Reggae Revolution–a loyal listener’s tribute to my radio show
before moving on to Los Angeles’ #1 Young Adult Radio Leader, ‘The World Famous KROQ 106.7 FM’, where I deejayed from 1986 through 1992.
I would see Brad regularly when I promoted Club Reggae at Fenders Ballroom in downtown Long Beach, where huge punk groups would perform in the larger room and Jamaica’s Wailing Souls and Eek-A-Mouse, England’s Pato Banton and Tippa Irie as well as LA’s Untouchables and Fishbone and other reggae/ska groups would play in my part of the ballroom on weekends. We would not discriminate against anyone who would enter our Punky Reggae Party. Long Beach experienced a London boomtown feeling in the early/mid-80’s. I clearly remember Brad joining me in the DJ booth when I promoted Eek-A-Mouse and Sublime together at Bogart’s in Long Beach. He came again to check me at an Andy Summers gig as well. When singer Gwen Stefani and bassist Tony Kanal from No Doubt were a couple without a contract, they would frequent my OC Club Reggae where I would test market their records on the dance floor. After graduating early in 1980 from high school at age 17, I studied abroad in London and immersed myself in the 2 Tone movement. Borrowing elements of ska, punk rock, rocksteady, reggae and New Wave, bands like The Specials, The Selecter, The (English) Beat, Madness, Bad Manners, and The Bodysnatchers were the talk of the town. However, it was UB40’s “My Way of Thinking” that captured my imagination. Their progressive and upbeat style of British reggae was ear candy, and I could not get enough of it. I also learned of another Birmingham-based band called Steel Pulse. I collected records from London’s Aswad and Linton Kwesi Johnson as well. The artists trusted me, and I traveled with UB40 throughout America as their emcee while supporting Sting and The Police. I became the first radio deejay to interview British reggae, ska and two tone artists and break their records in America while hosting “Roberto, Rock, Reggae” on KSPC 88.7 in Claremont, California. Although a college station, the strong 3000 watt signal penetrated in Orange, LA, Riverside and San Bernardino counties. Within two years in 1982, I got my first real job in commercial radio when I was hired as a new music jock.
Working overnights at ‘Rock N Rhythm KNAC’ in Long Beach, I mixed New Wave and Classic Rock from the 50’s-70’s in this unique format which allowed deejay freedom with two personal choices per hour. I would bring in my crate of records from independent and unsigned artists to customize my radio show with a healthy dose of reggae and ska. After I had created a huge buzz for the music, I was rewarded with the first reggae show–“Reggae Revolution”–on commercial radio in addition to working my KNAC new music weekend deejay shifts and serving as program director of Pomona College’s KSPC. Often I would receive acetate test press copies of songs fresh out of the studio from up-and-coming LA New Wave bands like the Mystic Knights of the Oingo Boingo (who would later drop the long name), The Motels, X, The Blasters, The Plimsouls and Missing Persons. The groups would have listening parties while paying close attention to the audio quality of the recording on-the-air before going back in the studio to master the song.
Although we did not have the signal strength of LA powerhouse KROQ, Long Beach’s KNAC–lead by the innovative program director Jimmy ‘The Saint’ Christopher (who would later become the PA announcer for the Texas Rangers at the Ballpark at Arlington)–was looked upon by the music industry as an indicator station. While other stations would only play one or two tracks from an album, KNAC would dig deeper and play as many as four or five. Once research had indicated that the public liked the tracks, then only would the more conservative and bigger KROQ’s of the world would add songs to the playlist–especially if there was payola.
I thought that I would never sell my soul to the corporate giants, but it took a KNAC format change to Metal in 1986 for me to take a sabbatical in the UK and come back stronger than ever at KROQ. While a Film Studies major at Claremont McKenna College, I had done a documentary of the English Beat and written my thesis on reggae based upon two interviews with legendary original Wailer, the late and great Peter Tosh. He was the Original Jamaican Rude Boy that many of the two tone characters emulated years later in England.After graduating from college and taking some time off, I embarked on a journey to document UB40’s making of the ‘Geoffrey Morgan’ Album in their hometown of Birmingham, England. Staying at each band-member’s house a week at a time, it goes without saying that the lads were tired of my eternal smiling grin and my video camera staring at them every step of the way. Upon arriving at their DEP studios in the industrial section of Birmingham’s Digbeth, the band suggested I go down to an open audition held underground at a local pub where local talent would be performing live.
My life would change forever… At the time, a local MC by the name of Pato Banton had recorded two tracks on UB40’s ‘Baggariddim’ Double Album. One of the tracks, “Hip Hop Lyrical Robot”, was a B Side to the #1 song “I Got You Babe” featuring Chrissie Hynde from The Pretenders. After the success of the Beat’s “Pato and Roger Ago Talk” off the Beat’s ‘Special Beat Service’ Album, Ranking Roger continued to produce Birmingham’s top MC while Pato was on fire.
Roger did not disappoint the local reggae massive when he produced Pato’s 12″ single called “Mash Up The Telly”, which was the song that I had videotaped at the audition and later became a big UK smash hit. Before I could stop the camera and say hello, Pato was out the door and gone… I was blown away at his amazing talent and charisma on camera. I showed the footage to UB40 back at the studio, and the next day keyboardist Mickey Virtue game me Pato’s 12″ single “The Boss” and business card.
I immediately phoned and arranged a meeting with Pato’s manager, Grantley ‘G.T.’ Haynes. I learned that he also managed another client from London’s #1 Saxon Sound named Tippa Irie, who had massive success with “Hello Darling”. I had been sending postcards to KROQ Program Director Rick Carroll so he would expect me when I arrived back in LA. Equipped with new vinyl and a vengeance to get back on the radio, I brought back “Reggae Revolution” to the Southern California airwaves with a much improved signal that reached five times the amount of listeners I had previously at KNAC. Within a few months,Pato Banton and Tippa Irie were signed to U.S. recording contracts.
I arranged for Pato to record a song at the KROQ studios with the San Diego-based rock group Private Domain. The end result was “Absolute Perfection”, and the song became an instant hit on commercial radio throughout America in addition to a staple in the KROQ Top 10 playlist. Later I took Tippa Irie to see his first Black Eyed Peas concert at the Belly Up in Solana Beach. The end result there was “Hey Mama”, a track that broke radio charts internationally and was a MTV favorite. UB40 have always respected my writing style, and they paid me the ultimate compliment when they asked me to write the liner notes for their Dancehall Album.
After they flew me to Jamaica, I was able to work out of Ali Campbell and Brian Travers’ Oracabessa Records HQ in St. Mary. There I would vibe up full stop and meet a long cast of Jamaican stars passing through including Sly & Robbie, Rappa Robert, Toots Hibbert, Jack Radics and Mr. Vegas. Once word got out that I was writing liners, the phone rang constantly. The Sublime camp always loved my articles for Mean Street Magazine and asked for to write the liner notes for ‘Sublime: Everything Under the Sun’ Box Set. Mad Professor requested that I write Macka B’s ‘Global Messenger’ CD liners as well.
Music Club U.S.A. allowed me to go through the entire Fashion Records catalogue out of South London and produce two compilation CDs: ‘Love All Night’ and ‘Essential Dancehall Classics’. Despite having my plate full between teaching English in Orange County and freelance writing nonstop, I continued working with Pato Banton as he had a long list of recording artists who to this day consider him an inspiration and a foundation artist. Sting recorded with Pato on a couple occasions and flew he and his band on his private jet to Spain. Peter Gabriel recruited Pato to join him on his international WOMAD Tour. Ali and Robin Campbell scored a #1 hit with Pato on “Baby Come Back”. I have since arranged for Pato Banton to tour with the likes of 311, Matisyahu, English Beat, and Argentina’s Los Pericos. Tippa Irie and Pato Banton are first-rate live performers and consummate professionals in the recording studio. Both constantly in demand, it won’t
be long before they each throw out the first pitch at an upcoming MLB game and perform live in the MLB Fan Cave.
Whether it is Melbourne Ace pitcher turned LA Dodger Shane Lindsaygetting into an off-field altercation or actress gone too far Lindsay Lohan “borrowing”, both Lindsays are wild and crazy in different ways. While the Australian Lindsay has often been compared to the rookie wild pitcher “Nuke” LaLoosh character in Bull Durham for his lack of control, the American Lindsay’s Marilyn Monroe-inspired Playboy spread has further financed her footloose and fancy free Hollywood party lifestyle of excess. While outside a California restaurant in late May of 2008, the six-foot-one Aussie pitcher Shane Lindsay and a member of his Colorado Rockies minor league affiliate Modesto Nuts host family were attacked. The end result was a trip to the local hospital, where eight screws and a metal plate were surgically implanted in his left hand. Lindsay reflected, “It made me take charge of my life and say, ‘How am I going to keep this from happening again?’ I started to think about where I go and the company I keep.” Nearly four years have passed and the 27-year-old Melbourne native has a rare opportunity to keep the peace in California at Chavez Ravine as a member of the Los Angeles Dodgers bullpen. Lindsay will need to impress coaches at Dodgers Spring Training when pitchers and catchers report next month at Arizona’s Camelback Ranch before being granted entry to join the game’s elite in 2012, even though he made his MLB pitching debut late last season with the Chicago White Sox. Originally signed by the Colorado Rockies as a non-drafted free agent in August 2003 as an 18-year-old Australian club and national team prospect, Shane Lindsay previously played in the Cleveland Indians and New York Yankees minor league organizations before launching his Major League Baseball career with Ozzie Guillen’s Chicago White Sox in 2011. He is known as an aggressive reliever with an electric fastball in the mid-to-upper 90s and a wild delivery.
Throwing with extreme intensity, no pitch delivery is ever the same. Shane Lindsay has a sharp curveball that freezes hitters and results in less than desirable at bats. Not afraid to throw his fastball inside, Lindsay lives on the edge and provides high drama every outing on the mound. Seemingly scripted for the entertainment capital of the world, the timing is perfect for Los Angeles Dodger relief pitcher Shane Lindsay to steal the show.