Big day for @drewbutera as he lifts Team Italy to a win over Mexico with the clubs first HR since 2006. pic.twitter.com/4JWLYVbNyQ
— Dustin Morse (@Twins_morsecode) March 8, 2013
Alex Liddi looks on while Drew Butera speaks during a 2013 WBC Press Conference.
patiently like the rest of us True Blue Dodger Fans for Melbourne pitcher Shane Lindsay to get healthy and up-to-speed before lighting up area radar guns with his atomic splitting fastball.
As the players enter in their SUVs with radios blaring and bling flashing in typical Hollywood style, they simply nod to the semi-retired security guard working the players’ gate entrance prior to driving in one-by-one. However, when Aussie Shane Lindsay approaches, a modest smile and a cordial “g’day” is offered.
After parking his vehicle, the fashionably-conscious Lindsay exudes confidence. Despite not having thrown one pitch for the Dodgers and being reassigned to the Dodgers Triple-A affiliate Albuquerque Isotopes, Shane remains optimistic that he will be making his debut in a True Blue uniform at Chavez Ravine shortly. The 27-year-old Lindsay made his MLB debut for the Chicago White Sox in September 2011, and the LA Dodgers took notice.
front of a sold-out Comerica Park.
ABQ baseball history dates back over 120 years.
Despite being injured, Lindsay has nothing but praise for the Dodger franchise. “You don’t ever want to be hurt,” Shane continued. “But as far as places to be hurt and the treatment and stuff…I don’t think you can beat this. (They are a) very forward thinking organization and very modern in the way they go about things. So love it so far and hopefully it will be a longtime stay.” With the recent announcement of the group led by Magic Johnson taking over Dodger ownership, Lindsay remains upbeat. He commented, “It’s an organization with a lot of heritage, a very prestigious organization. I’m just really excited of it all. I’m sure there are big changes on the horizon, and hopefully it’s a very exciting change.”
When Lindsay was asked what Big League goals he has set himself for 2012, he responded confidently: “Establish myself at the major league level and prove to everybody else what I know I can do. I’m just trying to contribute in whatever way I can and help us get towards that World Series Championship. It’s what everybody’s goal is…” Magic Johnson along with new co-owner Mark Walter share the same sentiment as Lindsay and the Dodgers based on what he told the Los Angeles Times back in December while pursing the franchise. Johnson said, “The first thing I asked Walter was, ‘Do you want to win, and do you want to put money in?’ He said, ‘Absolutely’ … He told me three times, ‘All I want to do is get to the World Series.'” Aussie pitcher Shane Lindsay has an uphill battle ahead of him to get a World Series ring. He conceded, “Obviously from a statistical standpoint, the biggest setback is the walks and the issues that we’ve had. But there is a lot more to it. And anybody that sort of knows me I’m trying to take pride in getting it down. We’ve done a lot of work over the last 18 months with mechanics, and I hope to just build on that this year. Being able to repeat my delivery with a very consistent mental approach will yield consistent results on the field too.”
Homer Simpson will welcome Shane Lindsay to Isotope country. The team’s name was voted on in an online survey of readers of the Albuquerque Tribune. Officially, there is a tie-in to New Mexico’s history with nuclear energy, but really it’s about the episode of “The Simpsons” where Homer goes on a hunger strike to prevent the Springfield Isotopes from moving to Albuquerque.
However, the Albuquerque Isotopes prevailed in the end, and The Simpsons have found a home there too. Life-sized figures of Homer and Marge grace the main concourse, a mural of Homer haunts the ‘Topes clubhouse and all sorts of other whimsical tributes to America’s favorite cartoon family are discovered throughout the ballpark. The Simpsons have had their share of airtime, but now all eyes are on pitcher Shane Lindsay. He is known as an aggressive reliever with an electric fastball in the mid-to-upper 90s and a wild delivery. Throwing with extreme intensity, no pitch delivery is ever the same. Shane Lindsay has a sharp curveball that freezes hitters and results in less than desirable at-bats. Not afraid to throw his fastball inside, Lindsay lives on the edge and provides high drama every outing on the mound.
Shane Lindsay has received a lot of media attention for all the wrong reasons after being labeled “wild”. While outside a California restaurant in late May of 2008, Lindsay and a member of his Colorado Rockies Single-A Advanced Minor League affiliate Modesto Nuts host family were attacked. The end result was a trip to the local hospital, where eight screws and a metal plate were surgically implanted in his left hand. Lindsay reflected, “It’s just was one of those situations where (it was the) wrong place, wrong time. It definitely could have been avoided had I just not been there. I’m not a troublemaker. I don’t instigate. I’m not out there trying to disrespect anybody or anything like that. But unfortunately in this world, things…instances happen. It was a terrible day in my life, and hopefully I learned a lot from that.” Shaking off rumors that he was the Aussie version of Derek Jeter, Shane was asked if their was any validity to him dating Los Angeles party girl Lindsay Lohan. Shane chuckled with laughter then replied: “Definitely not true. I’ve
never met the girl.” But when pressured to find out if he would invite her to the Dodger locker room, he caved in laughing and admitted: “Sure, why not?”
In Jeter-like fashion he added, “Anyone is welcome.”
Lindsay enjoyed his time in the ABL. He said, “It was a fantastic opportunity for me personally. It allowed me to go home from the White Sox–where we were really breaking ground on mechanics stuff and approach to the game–and it gave me a platform to work on it. Phil Dale was good enough to allow me to start and get a lot of repetitions in and a lot of different things. I felt like I achieved a lot. My numbers were not fantastic, but at the end of the day we’re trying to achieve certain goals. I think I achieved them, and I can’t wait to show that I have.” Seemingly scripted for the entertainment capital of the world, the timing is perfect for Isotope relief pitcher Shane Lindsay to show his best stuff in Albuquerque so that he is able to steal the Magic show and go prime time in Los Angeles.
“MLB digs ‘Down Under’ and find nine Aussie stars”, I requested to include one of the featured Australian players–Pitcher Shane Lindsay of the Los Angeles Dodgers–because of a recent tweet received from @ABQTopes (LA Dodgers Triple-A affiliate Albuquerque Isotopes). I thought to myself that if anyone deserved to go directly from the Australian Baseball League straight to Major League Baseball without any pit stops it was the recently signed Dodger flamethrower. After the Isotopes were kind enough to retweet my article to its 2500 followers, I tweeted back: “Thanks for the RT (retweet) and for sending the Dodgers your best talent. Do you think Aussie Shane Lindsay will wear True Blue after ST (spring training)?”
Moments later @ABQTopes replied,
“He has the tools to impress, but new ownership will have the final say.” Time will tell who exactly will sign Lindsay’s checks, but in the meantime he is training rigorously in Arizona to prepare for the pitcher and catcher February 21st report date at Camelback Ranch in Glendale. Shane emailed me: “Hey mate, doing good…working my butt off in Phoenix and getting ready for camp at athlete performance.” Lindsay is taking this challenge very seriously.
Without a doubt, Lindsay could very well be vintage Jonathan Broxton
with additional strength out of the bullpen. Last season wearing Chicago White Sox silks, the gutsy and often “wild” Australian hurler was not afraid to throw inside with his intimidating signature upper 90’s fastball to strike out hitters. The Dodgers believe Shane Lindsay has what it takes to become successful in MLB, and all he has to do now is figure out who to impress…the “wild” Kim Kardashian?
While on the road with Rebelution , Ryan Morgan recently spoke about my good friend, Mike ‘Miguel’ Happoldt–co-founder of Skunk Records and producer for Sublime, Slightly Stoopid, Unwritten Law, Long Beach Dub All-Stars and Long Beach Shortbus. ‘RyMo’ explained, “In a nutshell, Skunk Records was two people. It was Brad Nowell from Sublime, and Mike Happoldt. Mike Happoldt is still one of our producers to this day, we work with him all the time. Basically those two guys started that record label as an underground Long Beach record label. It was basically two friends who just put their heads together and said, ‘Hey, we’re going to start recording.’ At the time, Mike Happoldt was called ‘Miguel’. Miguel was going to Long Beach State and he was in a recording arts music program there … and so after hours there they would sneak into Long Beach State, and Sublime recorded a whole bunch of stuff there. They would basically just sneak in after hours and use the studio from like, 8 p.m. ‘till 4 in the morning and then come back in the next night and do it all again. Skunk Records really was just a grass roots movement between those two guys.
Now sadly, we all know the story that Brad Nowell passed away in ’96 from an overdose on heroin, which sucked. At that point Mike, or Miguel, basically kept the label going, but it shrunk considerably. It went from like a full-on functioning label to just basically him doing stuff out of his house on a smaller scale. Basically, Skunk Records released quite a few records from bands like The Ziggens, one of Sublime’s favorite bands from back in the day. They released a good amount of other stuff —- obviously the work they did with Long Beach Dub All-Stars. Basically, Skunk Records is just Miguel Happoldt. It’s his project.”
When LA music industry insider executive Dana Smart interviewed Mike ‘Miguel’ Happoldt about Sublime and the influence of reggae, yours truly got some serious props.
Mike said, “Brad was a huge fan of DJ Roberto Angotti of KNAC (not metal yet) in Long Beach. He taped every show between 1985 and 1986.” You can listen to some of the songs that Brad loved by clicking on the following podcast link–The Waxcast Episode 2: Homage to Reggae Revolution–a loyal listener’s tribute to my radio show
before moving on to Los Angeles’ #1 Young Adult Radio Leader, ‘The World Famous KROQ 106.7 FM’, where I deejayed from 1986 through 1992.
I would see Brad regularly when I promoted Club Reggae at Fenders Ballroom in downtown Long Beach, where huge punk groups would perform in the larger room and Jamaica’s Wailing Souls and Eek-A-Mouse, England’s Pato Banton and Tippa Irie as well as LA’s Untouchables and Fishbone and other reggae/ska groups would play in my part of the ballroom on weekends. We would not discriminate against anyone who would enter our Punky Reggae Party. Long Beach experienced a London boomtown feeling in the early/mid-80’s. I clearly remember Brad joining me in the DJ booth when I promoted Eek-A-Mouse and Sublime together at Bogart’s in Long Beach. He came again to check me at an Andy Summers gig as well. When singer Gwen Stefani and bassist Tony Kanal from No Doubt were a couple without a contract, they would frequent my OC Club Reggae where I would test market their records on the dance floor.
After graduating early in 1980 from high school at age 17, I studied abroad in London and immersed myself in the 2 Tone movement. Borrowing elements of ska, punk rock, rocksteady, reggae and New Wave, bands like The Specials, The Selecter, The (English) Beat, Madness, Bad Manners, and The Bodysnatchers were the talk of the town. However, it was UB40’s “My Way of Thinking” that captured my imagination. Their progressive and upbeat style of British reggae was ear candy, and I could not get enough of it. I also learned of another Birmingham-based band called Steel Pulse. I collected records from London’s Aswad and Linton Kwesi Johnson as well. The artists trusted me, and I traveled with UB40 throughout America as their emcee while supporting Sting and The Police. I became the first radio deejay to interview British reggae, ska and two tone artists and break their records in America while hosting “Roberto, Rock, Reggae” on KSPC 88.7 in Claremont, California. Although a college station, the strong 3000 watt signal penetrated in Orange, LA, Riverside and San Bernardino counties. Within two years in 1982, I got my first real job in commercial radio when I was hired as a new music jock.
Working overnights at ‘Rock N Rhythm KNAC’ in Long Beach, I mixed New Wave and Classic Rock from the 50’s-70’s in this unique format which allowed deejay freedom with two personal choices per hour. I would bring in my crate of records from independent and unsigned artists to customize my radio show with a healthy dose of reggae and ska. After I had created a huge buzz for the music, I was rewarded with the first reggae show–“Reggae Revolution”–on commercial radio in addition to working my KNAC new music weekend deejay shifts and serving as program director of Pomona College’s KSPC. Often I would receive acetate test press copies of songs fresh out of the studio from up-and-coming LA New Wave bands like the Mystic Knights of the Oingo Boingo (who would later drop the long name), The Motels, X, The Blasters, The Plimsouls and Missing Persons. The groups would have listening parties while paying close attention to the audio quality of the recording on-the-air before going back in the studio to master the song.
Although we did not have the signal strength of LA powerhouse KROQ, Long Beach’s KNAC–lead by the innovative program director Jimmy ‘The Saint’ Christopher (who would later become the PA announcer for the Texas Rangers at the Ballpark at Arlington)–was looked upon by the music industry as an indicator station. While other stations would only play one or two tracks from an album, KNAC would dig deeper and play as many as four or five. Once research had indicated that the public liked the tracks, then only would the more conservative and bigger KROQ’s of the world would add songs to the playlist–especially if there was payola.
I thought that I would never sell my soul to the corporate giants, but it took a KNAC format change to Metal in 1986 for me to take a sabbatical in the UK and come back stronger than ever at KROQ. While a Film Studies major at Claremont McKenna College, I had done a documentary of the English Beat and written my thesis on reggae based upon two interviews with legendary original Wailer, the late and great Peter Tosh. He was the Original Jamaican Rude Boy that many of the two tone characters emulated years later in England.
My life would change forever… At the time, a local MC by the name of Pato Banton had recorded two tracks on UB40’s ‘Baggariddim’ Double Album. One of the tracks, “Hip Hop Lyrical Robot”, was a B Side to the #1 song “I Got You Babe” featuring Chrissie Hynde from The Pretenders. After the success of the Beat’s “Pato and Roger Ago Talk” off the Beat’s ‘Special Beat Service’ Album, Ranking Roger continued to produce Birmingham’s top MC while Pato was on fire.
Roger did not disappoint the local reggae massive when he produced Pato’s 12″ single called “Mash Up The Telly”, which was the song that I had videotaped at the audition and later became a big UK smash hit. Before I could stop the camera and say hello, Pato was out the door and gone… I was blown away at his amazing talent and charisma on camera. I showed the footage to UB40 back at the studio, and the next day keyboardist Mickey Virtue game me Pato’s 12″ single “The Boss” and business card. 
I immediately phoned and arranged a meeting with Pato’s manager, Grantley ‘G.T.’ Haynes. I learned that he also managed another client from London’s #1 Saxon Sound named Tippa Irie, who had massive success with “Hello Darling”. I had been sending postcards to KROQ Program Director Rick Carroll so he would expect me when I arrived back in LA. Equipped with new vinyl and a vengeance to get back on the radio, I brought back “Reggae Revolution” to the Southern California airwaves with a much improved signal that reached five times the amount of listeners I had previously at KNAC. Within a few months, Pato Banton and Tippa Irie were signed to U.S. recording contracts.
I arranged for Pato to record a song at the KROQ studios with the San Diego-based rock group Private Domain. The end result was “Absolute Perfection”, and the song became an instant hit on commercial radio throughout America in addition to a staple in the KROQ Top 10 playlist. Later I took Tippa Irie to see his first Black Eyed Peas concert at the Belly Up in Solana Beach. The end result there was “Hey Mama”, a track that broke radio charts internationally and was a MTV favorite. UB40 have always respected my writing style, and they paid me the ultimate compliment when they asked me to write the liner notes for their Dancehall Album.
After they flew me to Jamaica, I was able to work out of Ali Campbell and Brian Travers’ Oracabessa Records HQ in St. Mary. There I would vibe up full stop and meet a long cast of Jamaican stars passing through including Sly & Robbie, Rappa Robert, Toots Hibbert, Jack Radics and Mr. Vegas. Once word got out that I was writing liners, the phone rang constantly. The Sublime camp always loved my articles for Mean Street Magazine and asked for to write the liner notes for ‘Sublime: Everything Under the Sun’ Box Set. Mad Professor requested that I write Macka B’s ‘Global Messenger’ CD liners as well.
Music Club U.S.A. allowed me to go through the entire Fashion Records catalogue out of South London and produce two compilation CDs: ‘Love All Night’ and ‘Essential Dancehall Classics’. Despite having my plate full between teaching English in Orange County and freelance writing nonstop, I continued working with Pato Banton as he had a long list of recording artists who to this day consider him an inspiration and a foundation artist. Sting recorded with Pato on a couple occasions and flew he and his band on his private jet to Spain. Peter Gabriel recruited Pato to join him on his international WOMAD Tour. Ali and Robin Campbell scored a #1 hit with Pato on “Baby Come Back”. I have since arranged for Pato Banton to tour with the likes of 311, Matisyahu, English Beat, and Argentina’s Los Pericos. Tippa Irie and Pato Banton are first-rate live performers and consummate professionals in the recording studio. Both constantly in demand, it won’t
be long before they each throw out the first pitch at an upcoming MLB game and perform live in the MLB Fan Cave.
mlbblogger 