


Hayden “Big Dog” Beard, a member of the 2012 San Antonio Missions and local resident mentor of the Canberra Cavalry pitching staff, now serves as pitching coach for the 2013-14 Canberra Cavalry. With over four years of experience in the Mets and Padres organizations, Beard knows talent when he sees it. The Big Dog is thrilled to have Nick Pugliese on the team roster after watching the former LA Angels prospect pitch for Team Italia in the 2013 World Baseball Classic as well as his stellar ABL debut performance.

He struck out three more in 1.1 innings of relief, placing him third in the league in strikeouts (5 K’s
in 2.1 innings pitched). Pugliese is enjoying his time playing in a Cavalry uniform knowing full well that he could come face-to-face with his Aussie teammates in the upcoming Asia Series when he suits up for the European Cup Champion Fortitudo Bologna squad. Nick said, “So far everyone is awesome, and the country is super nice. It’s a strange scenario for the Asia Series because I play the first two weekends here in Australia then join Bologna in the same tournament my Canberra team will be going to.”
Although Pugliese may be conflicted on the real prospect of facing his Aussie teammates in the Asia Series–which features the champions from Japan, Taiwan, Korea, Australia and Europe–Canberra pitching coach Beard looks forward to the opportunity of his team facing its own relief pitcher. He said, “Our boys would relish the opportunity to play against him in Taiwan. It’s always fun playing against your mates!”

“We started last season with the goal to bring the Claxton Shield to Canberra,” Collins said. “Our goal hasn’t changed coming into this season. This year we will be defending the Shield from the top and not chasing from the bottom. Cavalry General Manager Thom Carter is proud of his team and coaching staff as well as the baseball supporters in Canberra. “This is a milestone to be celebrated,” said Carter. “It shows just how much baseball has grown as a sport within the capital city. Each coach brings strong expertise to the table and as a team we couldn’t be more excited.” 
CBS News welcomes Artists’ Tribute to Italian Americans in Baseball to San Diego’s Little Italy

There was no better way to celebrate Phil Rizzuto’s birthday than in the company of San Diego’s finest news crew at CBS Channel 8 and renowned sports artist Christopher Paluso. On September 25th, CBS News Anchor Carlo Cecchetto hosted the grand opening evening celebration of the new exhibition Artists’ Tribute to Italian Americans in Baseball after news reporter Shawn Styles enticed viewers to join him for local favorite Tarantino Sausages and Peroni beer during two live remote broadcasts from the Convivio Center in San Diego’s Little Italy earlier in the day.

The capacity crowd was treated to a live performance by 11-year-old Italian American singing sensation, Isabella Shiff, who recently traveled to Italy to represent her country at the Zecchino d’Oro (Golden Sequin) International Festival of Children’s Song broadcast on Italian TV and won the solo vocalist competition in her age category. Internationally-acclaimed sports artist Christopher Paluso, whose legendary art has graced the walls of the Italian American Sports Museum in Chicago and the San Diego Hall of Champions, mesmerized the audience with nostalgic baseball stories centered around his personal interactions with Joe DiMaggio and other Italian American icons. Attendees read text panels detailing the Italian diaspora and assimilation into American society through baseball before viewing artwork from Christopher Paluso, James Fiorentino, Chris Felix, Vincent Scilla, John Giarizzo, Rob Monte, Zack D’Ulisse, Tom Richmond and Jeremy Nash in addition to photos from Tom DiPace, Rob Cuni and Robb Long.
The exhibit on artist’s tribute to italian american in baseball opened in San Diego. Watch the video http://t.co/o0HkfqJpKW
— FIBS (@FIBSpress) September 26, 2013
Check out my photo with @TommyLasorda in celebration of Artists’ Tribute to Italian Americans in Baseball Exhibit https://t.co/34lJO4VgCC
— Roberto Angotti (@ABLblogger) September 23, 2013

Artists’ Tribute to Italian Americans in Baseball features Joe DiMaggio, Phil Rizzuto, Tony Lazzeri, Roy Campanella, Yogi Berra, Ernie Lombardi,
Ron Santo, Tommy Lasorda, Tony Conigliaro, Joe Garagiola, Craig Biggio, Tony La Russa, John D’Acquisto, John Montefusco, Ken Caminiti, Mike Piazza, Frank Catalanotto, Frank Menechino, Jason Giambi, Joey Votto, Jason Grilli, Anthony Rizzo, Nick Punto, Chris Denorfia, Drew Butera, Dan Serafini, Alex Liddi, Chris Colabello, Brian Sweeney, Mike Costanzo, and Reid Rizzo. Throughout the exhibit’s exclusive engagement at Convivio, monthly birthday celebrations will feature movies and guest speakers to honor the careers of players and coaches of Italian descent including: Lou Colabello (10/10), Chris Colabello and Sal Varriale (10/24), Nick Punto (11/8), Jason Grilli (11/11), Roy Campanella (11/19), Joe DiMaggio (11/25), Mike Scioscia (11/27), Dave Righetti (11/28), Tony Lazzeri (12/6), Mauro Mazzotti (12/12), Craig Biggio (12/14), Marco Mazzieri (12/20), John D’Aquisto (12/24), Tony Conigliaro (1/7), Jason Giambi (1/8), Kurt Bevacqua (1/23) and Dan Serafini (1/25).

Christopher Paluso is the official artist for the San Diego Hall of Champions Sports Museum and the National Italian American Sports Hall of Fame in Chicago. His work has included many Italian American baseball players (including DiMaggio, Berra, Lasorda and Piazza) and has appeared on magazine covers, limited edition lithographs, collector plates, baseballs and in museums. Visit http://paluso4art.blogspot.com for a glimpse of his legendary artwork.
@ABLblogger @conviviosociety Grazie for the interesting link Roberto
— Claudio Bisogniero (@CBisogniero) September 27, 2013

Support from Italian Ambassador to the U.S. Claudio Bisogniero, FIBS, Team Italia coach Mike Piazza and CBS News has given Artists’ Tribute to Italian Americans in Baseball a great start in San Diego. A special thank you goes out to all who have made this monumental exhibition possible and free to the public.
Congrats to Italia! Under 18 European Champions! Forza Italia!
— Mike Piazza (@mikepiazza31) July 22, 2013
Great job Bill Holmberg! My fellow coach! God Bless! pic.twitter.com/BBFyftX0yS
— Mike Piazza (@mikepiazza31) July 22, 2013
Dodgers’ Punto and Butera honored in San Diego at Convivio’s Italian American Baseball Exhibition
Tried and tested as “Azzurri” teammates on Team Italy in the 2013 World Baseball Classic, utility infielder Nick Punto and backup catcher Drew Butera quite naturally bleed Dodger blue. Butera was reunited with Team Italy leadoff hitter Nick Punto when he was traded to the Los Angeles Dodgers on July 31, 2013. Destined to get the most from one of MLB’s finest pitching staffs, Drew is a valuable asset to the dream team of Dodger General Manager Ned Colletti. Born on August 9, 1983, the Florida-native is the son of Sal Butera—a journeyman catcher who played 359 MLB games for the Blue Jays, Twins, Reds, Expos and Tigers from 1980-1988. Drew was selected by the Toronto Blue Jays in the 2002 MLB Draft but instead opted to play college ball at the University of Central Florida (UCF). Ironically, father Sal now works as a scout for the only Canadian MLB franchise.

A big opera fan who used to listen to Andrea Bocelli and Luciano Pavarotti in the clubhouse before games while in the Mets’ minor league system, Drew was named Florida League All-Star and later promoted to Double-A ball in 2007 before being traded to the Twins—where Butera family history was made as Sal and Drew became the first father-son combination to play for Minnesota when he made his MLB debut on April 9, 2010. Known for being able


Artists’ Tribute to Italian American Baseball Exhibit in San Diego’s Little Italy remembers Reid Rizzo


Southern California baseball fans attending the grand opening and Phil Rizzuto birthday celebration on September 25th at Convivio will be pleasantly surprised that the Chris Felix collection includes Phil Rizzuto, Joey Votto and Reid Rizzo. Felix knew Rizzo was something special early on since he been Reid’s baseball coach for nearly for a decade. As a three-month-old infant, Rizzo’s parents received catastrophic news that their newborn son had been diagnosed with cardiomyopathy, a life-threatening heart condition. Despite doctors telling the Rizzo family that he would never be able to run, ride a bike, or play sports, Reid defied the odds by playing baseball, football, basketball and hockey. As a freshman at La Salle High School in Cincinnati, he became one of the youngest players in history to earn a starting position on the varsity baseball team.



The idea blossomed into the creation of the Reid Rizzo Foundation. Since then, there have been
many successful fundraising events including an annual Reid Rizzo Day at the Reds’ Great American Ballpark. The Reid Rizzo Foundation was established to remember and honor the character, courage, strength, and vigor of Reid Rizzo. 
The nonprofit’s goals include: provide financial assistance to those seeking to enhance their primary or secondary educational experience; enhance education, awareness and research relative to medical conditions that affect the cardiovascular system; and support athletic organizations wishing to enhance the support structure provided for the athletes they service. By clicking HERE, you can make a tax-deductible donation to the Reid Rizzo Foundation.


James Fiorentino contributes to Italian American baseball exhibit in San Diego’s Little Italy
Chaperoned by his parents after just becoming a teenager, James Fiorentino took an artist’s leap of faith by bringing a prized Joe DiMaggio painting he had done of the legendary Yankee great to an autograph show that DiMaggio was appearing at. Fiorentino reminisced: “He was always tough at these things and usually didn’t sign artwork. He looked at me and said, ‘Oh my gosh! Did you do this?’ I guess for him to even say something was kind of a big reaction. He seemed to like it and autographed it for me. I met DiMaggio a few times after that. He was always very nice to me and would talk to me.” Not long after his initial contact with DiMaggio, Fiorentino became the youngest artist to ever be featured in the National Baseball Hall of Fame at age 15 with his portrait of Reggie Jackson. Although two decades have passed, Fiorentino to this day still treasures that signed Joe DiMaggio painting close to his heart.



Heralded as the youngest artist ever to be inducted into the prestigious New York Society of Illustrators–where his work is displayed along with the likes of Rockwell, Pyle, Holland, and Fuchs–Fiorentino has always been inspired to share his talents with those who need it most from day one. “The thing I’m most proud of is that I’m allowed to help out charities by donating my work,” said Fiorentino. “That’s a big part of my life, playing a lot of golf outings, donating work, helping people out.” 
Featured on national and regional media outlets including ESPN, MSG, FOX, and the New York Times, Fiorentino is considered one of the best sports artists in the world. Each of the hand-painted retro-inspired cards found in 2003 Upper Deck Play Ball Baseball Card Series –including the Joe DiMaggio 56 card Yankee Clipper 1941 Hitting Streak Box Score cards and the Summer of ’41 cards–is truly a Fiorentino work of perfection. Art seen at JamesFiorentino.com has graced the walls of the National Basketball and Cycling Hall of Fames, the Ted Williams and Roberto Clemente Museums, the National Art Museum of Sport and the Sports Museum of America. Fiorentino’s talent will be showcased next month at Convivio in San Diego’s Little Italy in an Italian American baseball exhibit paying homage to artists of Italian descent and Team Italy players and coaches in the 2013 World Baseball Classic.
in the World Baseball Classic opens September 25th at Convivio, 2157 N. India Street in San Diego, CA.
Padres and Dodgers tickets bring Italian American baseball exhibit closer to San Diego’s Little Italy

Italian Americans at Bat is one step closer to San Diego’s Convivio Center in Little Italy.

in Italian Americans at Bat.
Italian Americans at Bat: From Sand Lots to the
Major Leagues weaves together ideas, stories and
statistics to depict the Italian American experience.
There is a timeline of the years 1845 to 2012, which
includes the history of baseball and Italian immigration into the United States–and most importantly when those two histories intersect. The exhibition highlights several decades: the early days of redefining cultural stereotypes, transcending national barriers in the 30s and 40s, improbable triumphs of the 50s, 60s and 70s, the pride of the modern era, and a dominant presence in the Hall of Fame. Joe DiMaggio is the coveted star of the exhibition, and his 56-game hitting streak in 1941 is accented by text panels which document each hit recorded in the “Dimag-o-Log” that the SF Chronicle ran in “the Sporting Green” every day. Joe DiMaggio, along with his brothers–Dom and Vince, Tony Lazzeri, Frank Crosetti, Babe Pinelli, Ernie Lombardi, Rugger Ardizoia, Billy Martin and Jim Fregosi are among the celebrated Italian American players. 


Exclusive Interview: Former Team Italy/MLB pitcher Dan Serafini at home in the Bullpen

While pitching for Team Italy in the 2013 World Baseball Classic, lefty Dan Serafini began his 22nd season playing as a pro in America, Canada, Japan, and Mexico. With 104 MLB appearances for the Twins, Cubs, Pirates, Padres, Reds, and Rockies under his belt, the bullpen has always been a second home for the Twins’ first-round draft pick of 1992. So when when it came time for the San Francisco-born Serafini to choose an appropriate name for his new sports bar located close to the family home at 5215 Vista Blvd. in Sparks, Nevada, it was simply a case of serendipity that he call it The Bullpen at Aspen Glen.
The bullpen at aspen glen come drink kids pic.twitter.com/RxiOO0c8GJ
— Danny serafini (@dannyserafini) June 16, 2013

He was the 1992 WCAL, County and Peninsula Co-Player of the Year in addition to being named the San Mateo Times County Athlete of the Year.
Roberto: San Mateo’s Junipero Serra High School has been known to produce their share of athletes including Barry Bonds and many sports legends. While covering the Australian Baseball League, I learned that Brisbane Bandits’ Chuck Lofgren pitched at Serra High School. Having also played there, how does it feel being surrounded by a strong Bay Area professional athlete fraternity at Serra?
Dan Serafini: Serra High School is a great baseball facility and just a great school to go to. We had a lot of great players: Jim Fregosi, Dan Frisella…even some football players: Lynn Swann, Tom Brady. We have quite an athletic history. Some really good baseball players like Gregg Jeffries have come out of my school.
Roberto: Team Italy slugger Chris Colabello followed the same minor league path to MLB playing for Double-A New Britain RockCats. While you played there, you were named to the 1995 Eastern League All-Star team after going 12-9 with a 3.37 ERA.
Dan Serafini: That was a long time ago. I can barely even remember that. At New Britain, Chris got to play in the new stadium. I played in the old Beehive Stadium, which was more like a high school stadium with a trailer park locker room. I had a good year that year, and it got me a call up to Triple-A before the season was over.
Dan Serafini: It was not an easy team to pitch against for my first time playing in the big leagues, but it was a great memory. It was kind of funny.
The Twins wouldn’t let me into the locker room before the game. They didn’t want any animosity in the locker room because they hadn’t sent anyone down (to Triple-A) yet. I had to stay in a hotel and then on game day I got to show up right before the game started so that I could get ready to play. It wasn’t the greatest experience, but it was still a good experience. I got to the big leagues!
Roberto: At least it was a home game when you had to face the intimidating New York Yankees.
Dan Serafini: Although it was a home game in Minnesota, it was still intimidating. It was the New York Yankees—no matter where you are playing them, they are intimidating. Crowd factor definitely helped. I had the crowd on my side. I loved Minnesota. It was very supportive. I had a great time.
Roberto: You also had some more playing time with the Twins in 1997 and 1998. Was it rewarding for you?
Dan Serafini: It was. I got a very brief opportunity with the Twins. You know, going back from starting to the bullpen and starting and bullpen. I was never really able to fill my niche with the Twins. It was fun. It was rewarding. I’m a Major League Baseball player. There is nothing more rewarding than that.

Roberto: The Chicago Cubs bought your contract from the Twins on March 31, 1999. You made four starts for the Cubbies and put together a 3-2 record in 42 appearances with a 6.93 ERA.
Dan Serafini: The ERA was kind of high, but in my defense I actually pitched really well until the all-star break. I think I only had a 3 or 3.50 ERA up until the all-star break. Then my big
league pitching coach, Marty DeMerritt, wanted me to become a left-handed specialist and drop down sidearm and start pitching sidearm only. So I did that, and it completely screwed up the whole rest of my season. I was walking everybody, giving up all kinds of hits and just all kind of happened. I can’t blame him. He was just trying to help me out, but to change your pitching mechanics in the middle of the season… It’s really hard to make an adjustment to big league hitters. It hurt me pretty good.

Roberto: In the 1999 offseason you were traded to the San Diego Padres and pitched in three games in 2000. How did it feel to come back to your native California to play pro ball?
Dan Serafini: I was there for a long time. I didn’t get many opportunities.
I was mostly like a chess pawn. I just kind of sat in the dugout. I’d go a week straight without pitching in a game.
I didn’t get as many opportunities as
I would have liked to become a better player than I am today. San Diego is beautiful, and I’m from California–even though it’s Northern California where I’m from. Southern California is a beautiful place. I guess I had more fun there off the field than on the field.
Roberto: After being traded to Pittsburgh and playing for the Nashville Sound, you had a 4-3 record with a 2.60 ERA before the call up to the Pirates on August 5, 2000 to make 11 starts.
Dan Serafini: After getting traded from San Diego, I had a really good month or so in Nashville before getting called up.
I made my first start against the San Francisco Giants and won. That could have been probably my favorite time in the big leagues–to be going back home to my hometown and beating San Francisco in San Francisco. I had a pretty good season with Pittsburgh. They were struggling and in last place. I threw well for Pittsburgh. I just didn’t fit in their books.
Roberto: Signing with San Francisco must have been a dream come true?
Dan Serafini: I didn’t get to stay with San Francisco too long. They signed me as a big league player, but they didn’t have a roster spot. I went to Triple-A for a little bit. I was making a substantial amount of money for a Triple-A player so when they couldn’t find a spot for me I got released about a month after
I signed. So I really didn’t get much of an opportunity with San Francisco.

Roberto: You quickly signed with the Mets and played for the 2001 Triple-A Norfolk Tides, where you posted 5-2 record with a 3.31 ERA in 31 games.
Dan Serafini: I didn’t waste anytime—maybe two days later signed with the Mets. Went to Triple-A and played there a little bit. I pitched pretty well, but got into an altercation with the GM. I ended up getting released and walking on over to the other clubhouse and signed up with Milwaukee that same day.
Roberto: You finished off the 2001 season pitching for the Brewers’ Triple-A affiliate Indianapolis Indians and posted a 2-2 record with a 5.96 ERA. However,
you chose to move on from Milwaukee
and were granted free agency in October, 2001. This opened the door for other opportunities, and you ended up signing a minor league deal with the Anaheim Angels. Was that another short-term engagement by design or a matter of being released? Please clear up all the misconceptions and incorrect information the media has picked up on to make you have to stand up for yourself and clarify.
Dan Serafini: Well you know the thing is…the media–they always say you were released, you were released, you were released. But for a lot of those teams I’ve actually picked the option for my release.
I didn’t get released. They would option me down to Triple-A, and I felt that I didn’t deserve to go to Triple-A. So for a lot of those assignments I chose not to go.

Roberto: After opting out of your contract with the Angels, you tried to make a comeback in late 2002 when you signed with the St. Louis Cardinals. You began at Triple-A Memphis, but then on April 21, 2003 you were released.
Dan Serafini: I knew what was going to happen because during the offseason I signed for such a high contract to go to Triple-A. I knew they were using me to fill a spot. So I knew as soon as no one came down from the big leagues or something that I was going to get released. 
Roberto: So you expected it?
Dan Serafini: I had signed for a substantial amount of money to go and play in Triple-A. Within the first month when Kevin Ohme was sent down from St. Louis, they got rid of me the next day. I pitched okay there, but it was really hard because I have always been a starter my whole career and I kept bouncing back and forth. I was going from bullpen to starting to bullpen and starting and never got into a rhythm.
So for all these teams I played for, I had really a tough time coming out of the bullpen and learning my routine and learning to play. Unfortunately, I didn’t really prove myself that well as well.
Roberto: It sounds like the experiment on the big league level of being a sidearm specialist coming out of the bullpen went terribly wrong. It was not exactly the best training ground for trying something new.
Dan Serafini: No. The only chance I had to experiment was on the big stage, which is really difficult if you are not physically or mentally prepared for those things. I wasn’t…I was only 21 or 22 at the time. It was a difficult road for me–that’s for sure!
Roberto: Did being disillusioned with American pro ball inspire you to head south to Mexico?
Dan Serafini: Yes, I played my first year in 2002. It was winter ball for Mazatlan. I had a great manager and a really fun time there. And they said if I ever had a problem in summer that I was more than welcome to play in Mexico. So after that St. Louis series, I went in 2003 to go play summer ball in Mexico.
Roberto: The Cincinnati Reds noticed and purchased your contract on August 25, 2003.
Dan Serafini: I ended up winning the ERA title. I set the record for the most wins in a row that season. I was a starter. I got back in the my swing of things. I got my mechanics back and pitched really well. I got called up and went straight to the big leagues in Cincinnati.

Roberto: On August 26, 2003, you started against the Milwaukee Brewers.
Dan Serafini: I believe I also started in a game versus St. Louis. Then I went back to the bullpen after I told the GM
I wouldn’t go to the bullpen and that I would only start. Because I had already 130 innings pitched in Mexico, I was tired and said I didn’t want to get up and down every day out of the bullpen. After I said I only wanted to start, the GM said that was exactly what I was summoned there to do–to start for Danny Graves because he got hurt.
So I went there, got two starts and they stuck me in the bullpen. It was a disappointment. I know it’s a business, and I just need to man up and do it. It was just hard. I talked to Bobby Valentine in 2004, and he asked me to go down to Vegas and throw a bullpen for somebody to try out for the team he managed in Japan. I went out there and tried out for the Chiba Lotte Marines. I was hurt at the time. I had a broken collar bone because
I crashed on a motorcycle messing around with my friends. Despite being injured, I still got a good enough report from the try out to go to Japan.
Roberto:: After being granted free agency and playing for Bobby Valentine’s Chiba Lotte Marines in 2004 and 2005 as well as the Orix Buffaloes in 2006 and 2007, were you treated with a little bit more respect in Japan?
Dan Serafini: It was really rewarding because I actually got treated like a player that I was. Japan did nothing but give me the highest respect. Bobby Valentine did nothing but give me the highest respect. He kept me on a routine for the full season, and I had a really good career in Japan. I still talk to Bobby off and on the internet. I was happy to see him as an Ambassador for the 2013 World Baseball Classic.
Roberto: Did you follow all the drama that surrounded Bobby Valentine last year when he managed the Boston Red Sox?
Dan Serafini: I did. In fact, before the season began I called him and asked him for a job to see if I could get a Triple-A job or a coaching/ player job. His hands were tied. He said that he couldn’t make any moves. But I followed him and saw all the disappointing articles about him and stuff from players that couldn’t handle his attitude. I thought it was ridiculous. He’s the smartest guy in baseball–hands down. He may want a little more attention than he deserves, but that’s his character.
If people don’t like it, they try to crucify him. He’s a very good man!
Roberto: It’s too bad he was the scapegoat for the Red Sox.
Dan Serafini: It really was. I know he’s done some things in his past that has rubbed people the wrong way–and we all have. It’s just the way different personalities go–especially when you have a bunch of superstars in the one locker room. It’s almost like you have to walk on eggshells around these people because they’re more sensitive than most people that are not superstars.
Roberto: When a player digs into the batter’s box and gives you a long grimacing stare, is your best response and message to the hitter simply the delivery of your next pitch?
Dan Serafini: Yes, definitely–without a doubt. There’s got to be respect both ways. For me, I’ve always been tired of being called a cheater or having a dismal career by what some reporters have said. I feel like I have fought the longest just like Bobby Valentine did to get my career to where it is right now.
Roberto: You signed a deal with the Colorado Rockies in 2007 and pitched on September 7th against the San Francisco Giants.
Dan Serafini: It was a great feeling. I was excited. It was tough because I had just come back from Japan. I broke my hand in Japan, and they decided to release me at the last quarter of the season just because they were not going to use me anymore and had no chance of the playoffs. So they sent me home, and
I signed with Colorado. I got called up to the big leagues a couple weeks later and after four years of not having seen a major league game got to pitch to my first batter–Barry Bonds! 
Roberto: What were the odds of you facing one of baseball’s most feared hitters in your MLB comeback attempt?
Dan Serafini: It was pretty interesting. I had some butterflies.
Roberto: How did you sustain your hand injury overseas?
Dan Serafini: That happened at a game in Japan. I was pitching and lost my footing in the bullpen. It was on my glove hand.
I kind of slipped and fell over. I used my hand to stabilize myself from falling over, and I broke my ring finger, pinky and a couple bones in the middle of my hand.
Roberto: In Japan you also sustained an achilles injury which required medication to help with the healing process and eventually led to a positive test for MLB banned substances when you signed with the Rockies in 2007.
Dan Serafini: I actually got a serious injury and had surgery on my achilles. When I came back from Chiba Lotte, I tore my achilles tendon in the year we won the championship. I signed a two-year contract with the Orix Buffaloes for a substantial amount. My leg with in a cast for four months so they were shooting it up all year long trying to get it balanced back.
After my first year at Orix, I wasn’t throwing very well because my body was so out of balance that it started hurting my shoulder and back. So they told me to just take the rest of the year off and come back for 2007. I was still having problems with my leg and the way my muscles were firing in 2007. So again a doctor was giving me a medication that I didn’t think much of because I passed all of my drug tests and Olympic testing in Japan. So I didn’t even think twice about it. And that’s what it was when I got tested on the last day of the season with Colorado. It was still in my system, and I got busted for it.


Roberto: It looks like MLB used you as a scapegoat to fill their 2007 quota and deter players from using banned substances.
Dan Serafini: Yes, I think so. I mean because I tried to fight it.
I had to do a lot of things for my defense. I had to get the doctor from Japan to come and fly to New York to testify for me in court. He wanted $500,000 to do it because it would give Japan a bad name since I never failed a test in Japan. So I said, ‘Screw it, I’ll take the 50-game suspension and wear it for now.’ I didn’t think that it would be that bad, but Colorado didn’t sign me back.
The GM at the time, Dan O’Dowd, didn’t give me my National League Championship ring. They gave me my playoff share because I was there for a short time, but they didn’t give me a ring because they were disgraced by the fact that I was a cheater and stuff like that. It was just bad. An unnamed journalist tried to say that I was trying to respark my dismal career. My response was like: ‘What’s so dismal about making over 10 million dollars?’ I don’t think that’s too dismal…
Roberto: If a man can’t look at me in the eye and share his theory to my face without the facts in hand—and instead choose to hide behind a computer desk in favor of meeting publishing deadlines, then it’s not news worthy in my book.
Dan Serafini: Exactly. You know it’s like so many people just wrote stories about me that never even asked me the details or took the details out. Even Tom Verducci and things he wrote in my 
article. I said so many things to balance and justify the difference between cheating and other kinds of uses of certain PEDs or whatever. And they don’t want to listen to that, but everybody wants to be negative and listen in to CNN nowadays.
Roberto: Not a lot of players want to comment in fear of being blackballed. But you are not afraid to speak your mind and represent Team Italia in the World Baseball Classic. It’s your time to shine and be heard.
Dan Serafini: Yes, it is. If people want to call me a jerk, whatever but you know what… I’ve been around this game for
22 years now. And I know that 90% of the people I have played with have said: ‘If I had a chance to use it and make myself better, then I would have too…’ You know, that’s what we’re here for.
Roberto: I don’t blame you for having headed south to pitch for the Monterrey Sultanes after all that nonsense.
Dan Serafini: They were a great organization. I played with them for a while and just kept bouncing back and forth. I pitched
well in Monterrey, got to the playoffs a few times and then I got traded.
Roberto: You spent 2008 and 2009 in Mexico before heading to the East Coast to play for the Bridgeport Bluefish in the Atlantic Independent League.
Dan Serafini: Yes, I did that just for a little bit so that I could get a job back in the states. I wanted more people to see me pitch, but nothing came of it.
Roberto: Yet Mexico loved you and you represented the country in several Caribbean Series.

Dan Serafini: Yes, I believe I played three Caribbean Series for Mexico–all during winter ball because the Sultanes play during the summer. In the winter I played for Yaquis de Obregón in
the 2008 Caribbean Series and then again in 2010 and 2011
I played for Mexico in the Caribbean Series.
Roberto: What’s the difference between baseball played
abroad and in the U.S.?
Dan Serafini: For one, the United States has the best players in the world in the major leagues. So it’s kind of hard to represent the United States because it has so many great players. Mexico and Italy have a lot of great players that have been overlooked by United States. It’s hard. With me representing Mexico, I am one of the better players in Mexico because that’s just where I am playing at the time. With my experience and talent, I can make those teams and play for those teams. I could possibly pitch for Team USA but that team has so many Americans from all over the country to pick from. So it’s really hard to make that team.
Roberto: How were you recruited to pitch for Team Italia?
Dan Serafini: Actually they called me in 2009 and found out
that I was Italian through my agent. After they got the background information about my Italian ancestry, they said that they would love for me to come and try out. I came down, tried out and they said that they could definitely use me as a starter or reliever because of ‘my good arm.’ So the rest is history as far as that.
Roberto: It must have a been a major personal victory for you when Team Italia upset Mexico in the 2013 WBC.
Dan Serafini: Almost everyone on Team Mexico I either played with them or against them. Team Italy asked me to write a 
scouting report on the whole team, which I did and gave to the coaches. They watched a few of their games during their exhibition games and said it was ‘spot on’ as far as the scouting report. That’s what we used, and it actually came out well. We pitched well against them. We played great defense against them, and we came out victors.
Roberto: Once Team Italia’s manager Marco Mazzieri gave me his cell phone number, I felt compelled to do the same and gave him a scouting report on Team Canada. We all had to do our part.
Dan Serafini: Well, that’s it…exactly! We’re here to win. Right 
now, I’m not an American. I’m an Italian, and I’m here to beat Team USA today. I was there to beat Canada yesterday, and I was there the day before to beat Mexico. Granted I have friends from every team from all over the world, but right now I’m just Italian. I’m here to walk all over every other team.
Roberto: How proud are you to be Italian?
Dan Serafini: I am very proud to be Italian. It’s unfortunate because I have always had a strong Italian family growing up, but Italian heritage or history was never really taught.
I never learned Italian even though my father speaks Italian and both of my grandparents only spoke Italian. I just wasn’t brought up that way. Now doing more research about Italy and possibly thinking later in my career to maybe going to play in Italy for a little bit. I’m really interested in the Italian culture and to visit all around Europe. I’m looking forward to it. Italians are a well-educated culture to begin with. Everyone on our team speaks perfect English and perfect Italian. Some speak Spanish, Italian and English. I think they are just educated people. Unfortunately 
when you move to another country and are unable to speak their language fluently, you tend to get away from your native language.
I know when I played in Mexico my whole team spoke English. I didn’t have a chance to learn Spanish because people talked to me in English. So it’s not as diverse as you think. It’s a lot harder, even my wife can tell you it’s a lot harder to go there and learn a language because everyone is polite to you and tries to talk to you in your language to make you feel more comfortable. So we have a tendency to get lazy
and not try. But right now I listen to Italian tapes every night because
I want to try to learn Italian.
Roberto: That’s because everyone is trying to be hospitable 
and speak your native tongue?
Dan Serafini: Yes. I mean the Italians come right over here, and they all speak English right out of the gate. They don’t even try to speak Italian. They’re like: ‘No, we’re in America now–we’re speaking English.’ That’s what they do.
Roberto: How does having a coaching staff that includes future Hall of Famer Mike Piazza affect your approach to the game?
Dan Serafini: Mike is a great guy. Look at his story–coming from the 62nd round as a favor to his godfather Tommy Lasorda! Something ridiculous like that and becoming the best 
offensive catcher of all time…whatever his statistics are.
Being blessed enough to play against him and talk to him,
it’s a great experience. Just because we have one more
person with a ton of experience on our team. He has been
in the spotlight for what…16 seasons! You know, I’ve been
in the spotlight for seven. Grilli has been the spotlight for
eight. So it’s like we have plenty of experience. It’s nice to
have someone of that magnitude on our team helping us out.
Roberto: Mike Piazza could be doing something else with his time,
but his heart and soul are committed to Team Italia.
Dan Serafini: You’re right. It is…and we appreciate that! He could 
be doing anything with his time, and a lot of us could be but we’re all here together to represent Italy. We’re going to represent the right way this time.
Roberto: Thank you for your time today. I’m sure this story will be continued next time we get together to talk.
Dan Serafini: Yes, definitely…I’m looking forward to continuing it. I will answer any question that needs to be answered. It’s nice to be able to explain myself for a change, and hopefully one day people will look at me differently.
Buon Compleanno to Team Italia’s Chris Denorfia!

San Diego Padres’ Chris Denorfia was recently a guest on MLB Network’s “Intentional Talk”.
New post by @Jeremy_Nash. Five Good Things: Streak-Stopping Edition: http://t.co/bTzc6Sh1l3
— Friarhood (@friarhood) July 11, 2013
ICYMI New Digital sketch, "Norf Rocks!" Please share. #padres #Norf pic.twitter.com/yeYDr43GkT
— Jeremy Nash (@Jeremy_Nash) July 6, 2013


The Southern California North and South baseball rivalry will be in full effect with playoff hopes when the Dodgers visit Petco Park and battle the Padres on Little Italy Night on Saturday, September 21 at 5:40 pm. A pre-game ceremony honoring the Artists’ Tribute to Italian Americans in Baseball Exhibition at the Convivio Center (2157 India Street in San Diego’s Little Italy) will take place behind home plate prior to the first pitch. Longtime San Diego Little Italy resident and Padre alumni John D’Acquisto will be our honored guest at Petco Park. 
Nonprofits unite to make Italian Heritage Day at Angel Stadium a success on September 22, 2013
2013 is the Year of Italian Culture in the United States. September brings two very important events to Orange County. For those who love to indulge in a good book, the Italian Cultural Institute and the Italian Heritage Archive at Chapman University in Orange welcome Italian best-selling author Gianrico Carofiglio on campus to present the English version of his most recent novel The Silence of the Wave. As an anti-Mafia prosecutor in the port of Bari on the coast of Puglia, Carofiglio has been involved with trials concerning corruption, organized crime and human trafficking. Having sold over 2.5 million books, the politically-charged writer has been an influential member of the Italian Senate for many years. Italian American MLB manager Mike Scioscia has been lobbying for another Angels postseason berth for just as long. We will cheer him on as well as fellow Italian American catcher Chris Iannetta on Sunday, September 22nd at Angel Stadium in honor of Italian Heritage Day.
The Order Sons of Italy in America (OSIA) is the largest and oldest national organization for men and women of Italian heritage in the United States. The Orange County OSIA Lodges graciously commend our efforts to bring Italian Heritage Day to Angel Stadium for the first time since the Anaheim landmark was resurrected in 1962. With a common goal to make this family event an annual celebration of everything Italian, the Sons of Italy have been instrumental in preserving our cultural heritage in Orange County. We salute OSIA for supporting our mission in reaching both young and old Italians through Major League Baseball for some great fun at Angel Stadium.

of the Italian Catholic Federation.
With the National Italian American Federation (NIAF) working closely with the Italian Ministry of Foreign Affairs to make 2013 the Year of Italian Culture in the United States, we are proud to present and celebrate Italian Heritage Day in Anaheim.
Angels and Mariners game ticket sales help bring Italian Americans at Bat to Orange County in 2014

you support our efforts to bring the Italian Americans at Bat Exhibition to Orange County.
a do-or-die attitude. Looking at the 2013 Angels Promotional Calendar, September 22nd is also Angel Team Photo and Fan Appreciation Day–when lucky fans have traditionally come home with loads of freebies including: vacations to five-star resorts, airline tickets, Angels Suites and Group Night tickets, amusement park passes, fitness club memberships, pool tables, BBQ grills, flatscreen TVs, BluRays, iPods, Flip Video Cams and even new tires. 


The Angels have had its share of Italian Americans on its roster in the past. Two prominent players who resonated in the hearts of hardcore Angels fans–Jim Fregosi and Tony Conigliaro–are included in the celebrated Italian Americans at Bat Exhibit. Fregosi became the Angels’ first budding star during the team’s initial eleven seasons of play from 1961-71. He led the American League in double plays twice, won the 1967 Gold Glove Award and set a franchise record with 70 career triples. Fregosi went on to manage the Angels at age 36 and guided the team to its first-ever postseason appearance in 1979. Conigliaro played for the Angels in 1971 but was never the same MLB All-Star after being hit by a tragic fastball thrown by Angels’ pitcher Jack Hamilton in 1967.



