Baseball in Italy got its first break in the late 19th century when two American naval ships, the USS Lancaster and the USS Guinnebaug, arrived in the Tuscan port of Livorno. The American servicemen held their first baseball game on January 23, 1884 at the Campo d’Osservazione AKA Observation Field. Enthusiastic crowds cheered on the players, and the games garnered enough interest in the media to include coverage by Livorno’s newspaper, La Gazzetta Livornese. With an eager international following in Italy, early baseball pioneer Albert Goodwill Spalding served as a ‘Goodwill’ ambassador of the sport and held tournaments in Florence, Naples, and Rome in 1889. In an effort to unite forces with the allied Italian Army during World War I, the American Army taught Italian soldiers the sport and held baseball games between the two armies.
Any inter-war following was soon decimated upon the rise of Benito Mussolini’s fascist regime, which banned baseball for its American influence. Baseball experienced an Italian Renaissance post-World War II under the leadership of Ottino and Graziani, when the Lega Italiana Softball and the Lega Italiana Baseball leagues were created. The first professional baseball game between two Italian teams was held on June 27, 1948 in front of 2000 fans at Giurati stadium in Milan. These two leagues would eventually evolve into what is known today as the Federazione Italiana Baseball Softball (FIBS), the governing body of baseball in Italy.
The Italian Baseball League (IBL) was founded in 1948 and is comprised of teams from Bologna, Parma, Nettuno, Rimini, Godo, Novara and Grosseto as well as the culturally Italian yet independent country San Marino. These eight teams compete in a 42-game season. Each team is allowed to have up to four non-Italian citizens, and each team must have at least six Italian citizen baseball players on the field at any given time. Former American players have found a second home in the IBL, including Jay Palma–the 1980 sixth-round draft pick of the New York Mets and current coach for the Novara United team.
Michael Anthony Smith was signed by the Toronto Blue Jays in the 5th round of the 2000 amateur draft at the end of his college career at the University of Richmond. He pitched in 14 games for the Blue Jays in 2002 including six starts. The Minnesota Twins acquired Smith from the Philadelphia Phillies during the 2005-2006 offseason, but he was not called up to the Major Leagues until August 2, 2006. Smith played for the 2009 Brother Elephants team in Taiwan’s Chinese Professional Baseball League (CPBL).
He led the 2010 Brockton Rox of the Can-Am League in wins (12) and ERA (2.87) in 125.1 innings. He was also named to the 2010 Cam-Am All-Star Team, along with Rox teammate and newly signed Grosseto catcher Chris Grossman. Smith went 8-5 with a 3.99 ERA in 94.2 innings during his 2011 Brockton Rox pitching campaign. The 34-year-old MLB veteran will prove to be a valuable asset for the Tuscan squad both as regular starting pitcher as well as mentor and pitching coach for the talented roster of Grosseto hurlers.
35-year-old switch-hitting shortstop Jay Pecci has wanted to play in Italy for nearly a decade when he tried out in January of 2005 for the Italian national team that played in the inaugural World Baseball Classic. Although he had hit a home run and a single
in his final scrimmage game, Pecci was cut from the Italian team before the international competition.
Pecci recalled, “It was real close. I felt like I was on
the bubble.” The versatile athlete has always had a knack for high drama going back to college when
Pecci walked on to the Stanford baseball team and impressed enough to become a everyday starter.
A 1998 All-Conference player, Pecci led Stanford to
the 1995 and 1997 College World Series and boasted one of the all-time best College World Series batting averages after going 10-for-17 (.588). At Stanford
he played with MLB success stories Jody Gerut,
Joe Borchard, Chad Hutchinson and eventual Gary SouthShore RailCats teammate Tony Cogan.
All-Star Game MVP and ranks in the top five in nearly every offensive category in Northern League history.
Pecci came close to early retirement in 2004 when he fractured his skull and broke his jaw colliding with a Norwich teammate while chasing a flyball in Trenton, New Jersey. Having his jaw wired shut for a month, Pecci was determined in making a comeback. He remarked, “I thought at that point, I wouldn’t let that be my last game in baseball.” In his 15-year pro career, nothing came close to his personal best 2008 campaign with the Indy League Gary SouthSide RailCats. Pecci set the RailCats single-season hits record (115) that season and hit a career-best .317 batting average and .474 slugging percentage along with 26 doubles and nine home runs. He homered in the Northern League All-Star Game in 2008 and earned Most Valuable Player honors after hitting the game-winning home run in the ninth inning of the decisive Game Four of the Northern League Semifinals. Following the 2008 season, Pecci earned his first Post-Season All-Star commendation from the league as the circuit’s top shortstop. An agile and seasoned veteran ballplayer with well over 1000 games of experience, Jay Pecci will give Grosseto a competitive edge in the IBL.
With over 10 years of baseball instructional experience, Infante has been sought after to serve as personal training coach for some of New York’s finest. While offering private baseball instruction for the Cooperstown Athletics Sports Performance Training Facility in Manhattan, five of Jeff’s private alums have gone onto playing professional baseball within the last few years. Coupled with the injection of manager Mike Hartley and pitching coach Mike Smith, Infante and the new blood on Grosseto’s coaching staff now have the ability to positively impact the team’s bright future ahead. Finishing 13 games behind 2011 IBL Champion San Marino last season, the newly revamped and much improved Grosseto squad will be a top contender in Europe as a result of the 2012 MLB Italian Renaissance in Tuscany.
Los Angeles Dodgers
Radio DJ Roberto Angotti goes ‘Down Under’ with LA Dodger Shane Lindsay to drum up support for the Australian Baseball League and MLB
“MLB digs ‘Down Under’ and find nine Aussie stars”, I requested to include one of the featured Australian players–Pitcher Shane Lindsay of the Los Angeles Dodgers–because of a recent tweet received from @ABQTopes (LA Dodgers Triple-A affiliate Albuquerque Isotopes). I thought to myself that if anyone deserved to go directly from the Australian Baseball League straight to Major League Baseball without any pit stops it was the recently signed Dodger flamethrower. After the Isotopes were kind enough to retweet my article to its 2500 followers, I tweeted back: “Thanks for the RT (retweet) and for sending the Dodgers your best talent. Do you think Aussie Shane Lindsay will wear True Blue after ST (spring training)?”
Moments later @ABQTopes replied,
“He has the tools to impress, but new ownership will have the final say.” Time will tell who exactly will sign Lindsay’s checks, but in the meantime he is training rigorously in Arizona to prepare for the pitcher and catcher February 21st report date at Camelback Ranch in Glendale. Shane emailed me: “Hey mate, doing good…working my butt off in Phoenix and getting ready for camp at athlete performance.” Lindsay is taking this challenge very seriously.
Without a doubt, Lindsay could very well be vintage Jonathan Broxton
with additional strength out of the bullpen. Last season wearing Chicago White Sox silks, the gutsy and often “wild” Australian hurler was not afraid to throw inside with his intimidating signature upper 90’s fastball to strike out hitters. The Dodgers believe Shane Lindsay has what it takes to become successful in MLB, and all he has to do now is figure out who to impress…the “wild” Kim Kardashian?
While on the road with Rebelution , Ryan Morgan recently spoke about my good friend, Mike ‘Miguel’ Happoldt–co-founder of Skunk Records and producer for Sublime, Slightly Stoopid, Unwritten Law, Long Beach Dub All-Stars and Long Beach Shortbus. ‘RyMo’ explained, “In a nutshell, Skunk Records was two people. It was Brad Nowell from Sublime, and Mike Happoldt. Mike Happoldt is still one of our producers to this day, we work with him all the time. Basically those two guys started that record label as an underground Long Beach record label. It was basically two friends who just put their heads together and said, ‘Hey, we’re going to start recording.’ At the time, Mike Happoldt was called ‘Miguel’. Miguel was going to Long Beach State and he was in a recording arts music program there … and so after hours there they would sneak into Long Beach State, and Sublime recorded a whole bunch of stuff there. They would basically just sneak in after hours and use the studio from like, 8 p.m. ‘till 4 in the morning and then come back in the next night and do it all again. Skunk Records really was just a grass roots movement between those two guys.
Now sadly, we all know the story that Brad Nowell passed away in ’96 from an overdose on heroin, which sucked. At that point Mike, or Miguel, basically kept the label going, but it shrunk considerably. It went from like a full-on functioning label to just basically him doing stuff out of his house on a smaller scale. Basically, Skunk Records released quite a few records from bands like The Ziggens, one of Sublime’s favorite bands from back in the day. They released a good amount of other stuff —- obviously the work they did with Long Beach Dub All-Stars. Basically, Skunk Records is just Miguel Happoldt. It’s his project.”
When LA music industry insider executive Dana Smart interviewed Mike ‘Miguel’ Happoldt about Sublime and the influence of reggae, yours truly got some serious props.
Mike said, “Brad was a huge fan of DJ Roberto Angotti of KNAC (not metal yet) in Long Beach. He taped every show between 1985 and 1986.” You can listen to some of the songs that Brad loved by clicking on the following podcast link–The Waxcast Episode 2: Homage to Reggae Revolution–a loyal listener’s tribute to my radio show
before moving on to Los Angeles’ #1 Young Adult Radio Leader, ‘The World Famous KROQ 106.7 FM’, where I deejayed from 1986 through 1992.
I would see Brad regularly when I promoted Club Reggae at Fenders Ballroom in downtown Long Beach, where huge punk groups would perform in the larger room and Jamaica’s Wailing Souls and Eek-A-Mouse, England’s Pato Banton and Tippa Irie as well as LA’s Untouchables and Fishbone and other reggae/ska groups would play in my part of the ballroom on weekends. We would not discriminate against anyone who would enter our Punky Reggae Party. Long Beach experienced a London boomtown feeling in the early/mid-80’s. I clearly remember Brad joining me in the DJ booth when I promoted Eek-A-Mouse and Sublime together at Bogart’s in Long Beach. He came again to check me at an Andy Summers gig as well. When singer Gwen Stefani and bassist Tony Kanal from No Doubt were a couple without a contract, they would frequent my OC Club Reggae where I would test market their records on the dance floor.
After graduating early in 1980 from high school at age 17, I studied abroad in London and immersed myself in the 2 Tone movement. Borrowing elements of ska, punk rock, rocksteady, reggae and New Wave, bands like The Specials, The Selecter, The (English) Beat, Madness, Bad Manners, and The Bodysnatchers were the talk of the town. However, it was UB40’s “My Way of Thinking” that captured my imagination. Their progressive and upbeat style of British reggae was ear candy, and I could not get enough of it. I also learned of another Birmingham-based band called Steel Pulse. I collected records from London’s Aswad and Linton Kwesi Johnson as well. The artists trusted me, and I traveled with UB40 throughout America as their emcee while supporting Sting and The Police. I became the first radio deejay to interview British reggae, ska and two tone artists and break their records in America while hosting “Roberto, Rock, Reggae” on KSPC 88.7 in Claremont, California. Although a college station, the strong 3000 watt signal penetrated in Orange, LA, Riverside and San Bernardino counties. Within two years in 1982, I got my first real job in commercial radio when I was hired as a new music jock.
Working overnights at ‘Rock N Rhythm KNAC’ in Long Beach, I mixed New Wave and Classic Rock from the 50’s-70’s in this unique format which allowed deejay freedom with two personal choices per hour. I would bring in my crate of records from independent and unsigned artists to customize my radio show with a healthy dose of reggae and ska. After I had created a huge buzz for the music, I was rewarded with the first reggae show–“Reggae Revolution”–on commercial radio in addition to working my KNAC new music weekend deejay shifts and serving as program director of Pomona College’s KSPC. Often I would receive acetate test press copies of songs fresh out of the studio from up-and-coming LA New Wave bands like the Mystic Knights of the Oingo Boingo (who would later drop the long name), The Motels, X, The Blasters, The Plimsouls and Missing Persons. The groups would have listening parties while paying close attention to the audio quality of the recording on-the-air before going back in the studio to master the song.
Although we did not have the signal strength of LA powerhouse KROQ, Long Beach’s KNAC–lead by the innovative program director Jimmy ‘The Saint’ Christopher (who would later become the PA announcer for the Texas Rangers at the Ballpark at Arlington)–was looked upon by the music industry as an indicator station. While other stations would only play one or two tracks from an album, KNAC would dig deeper and play as many as four or five. Once research had indicated that the public liked the tracks, then only would the more conservative and bigger KROQ’s of the world would add songs to the playlist–especially if there was payola.
I thought that I would never sell my soul to the corporate giants, but it took a KNAC format change to Metal in 1986 for me to take a sabbatical in the UK and come back stronger than ever at KROQ. While a Film Studies major at Claremont McKenna College, I had done a documentary of the English Beat and written my thesis on reggae based upon two interviews with legendary original Wailer, the late and great Peter Tosh. He was the Original Jamaican Rude Boy that many of the two tone characters emulated years later in England.
My life would change forever… At the time, a local MC by the name of Pato Banton had recorded two tracks on UB40’s ‘Baggariddim’ Double Album. One of the tracks, “Hip Hop Lyrical Robot”, was a B Side to the #1 song “I Got You Babe” featuring Chrissie Hynde from The Pretenders. After the success of the Beat’s “Pato and Roger Ago Talk” off the Beat’s ‘Special Beat Service’ Album, Ranking Roger continued to produce Birmingham’s top MC while Pato was on fire.
Roger did not disappoint the local reggae massive when he produced Pato’s 12″ single called “Mash Up The Telly”, which was the song that I had videotaped at the audition and later became a big UK smash hit. Before I could stop the camera and say hello, Pato was out the door and gone… I was blown away at his amazing talent and charisma on camera. I showed the footage to UB40 back at the studio, and the next day keyboardist Mickey Virtue game me Pato’s 12″ single “The Boss” and business card. 
I immediately phoned and arranged a meeting with Pato’s manager, Grantley ‘G.T.’ Haynes. I learned that he also managed another client from London’s #1 Saxon Sound named Tippa Irie, who had massive success with “Hello Darling”. I had been sending postcards to KROQ Program Director Rick Carroll so he would expect me when I arrived back in LA. Equipped with new vinyl and a vengeance to get back on the radio, I brought back “Reggae Revolution” to the Southern California airwaves with a much improved signal that reached five times the amount of listeners I had previously at KNAC. Within a few months, Pato Banton and Tippa Irie were signed to U.S. recording contracts.
I arranged for Pato to record a song at the KROQ studios with the San Diego-based rock group Private Domain. The end result was “Absolute Perfection”, and the song became an instant hit on commercial radio throughout America in addition to a staple in the KROQ Top 10 playlist. Later I took Tippa Irie to see his first Black Eyed Peas concert at the Belly Up in Solana Beach. The end result there was “Hey Mama”, a track that broke radio charts internationally and was a MTV favorite. UB40 have always respected my writing style, and they paid me the ultimate compliment when they asked me to write the liner notes for their Dancehall Album.
After they flew me to Jamaica, I was able to work out of Ali Campbell and Brian Travers’ Oracabessa Records HQ in St. Mary. There I would vibe up full stop and meet a long cast of Jamaican stars passing through including Sly & Robbie, Rappa Robert, Toots Hibbert, Jack Radics and Mr. Vegas. Once word got out that I was writing liners, the phone rang constantly. The Sublime camp always loved my articles for Mean Street Magazine and asked for to write the liner notes for ‘Sublime: Everything Under the Sun’ Box Set. Mad Professor requested that I write Macka B’s ‘Global Messenger’ CD liners as well.
Music Club U.S.A. allowed me to go through the entire Fashion Records catalogue out of South London and produce two compilation CDs: ‘Love All Night’ and ‘Essential Dancehall Classics’. Despite having my plate full between teaching English in Orange County and freelance writing nonstop, I continued working with Pato Banton as he had a long list of recording artists who to this day consider him an inspiration and a foundation artist. Sting recorded with Pato on a couple occasions and flew he and his band on his private jet to Spain. Peter Gabriel recruited Pato to join him on his international WOMAD Tour. Ali and Robin Campbell scored a #1 hit with Pato on “Baby Come Back”. I have since arranged for Pato Banton to tour with the likes of 311, Matisyahu, English Beat, and Argentina’s Los Pericos. Tippa Irie and Pato Banton are first-rate live performers and consummate professionals in the recording studio. Both constantly in demand, it won’t
be long before they each throw out the first pitch at an upcoming MLB game and perform live in the MLB Fan Cave.
LA Dodger Lindsay and jail dodger Lohan share a common name and love for living on the wild side
Throwing with extreme intensity, no pitch delivery is ever the same. Shane Lindsay has a sharp curveball that freezes hitters and results in less than desirable at bats. Not afraid to throw his fastball inside, Lindsay lives on the edge and provides high drama every outing on the mound. Seemingly scripted for the entertainment capital of the world, the timing is perfect for Los Angeles Dodger relief pitcher Shane Lindsay to steal the show.
Ex-Dodgers/Mets Chin-lung Hu: Takes a Breather from MLB to Bite in Australian Baseball League
At Coopers Stadium against the visiting Canberra Cavalry this past weekend, it was all about Chin-lung Hu–leadoff hitter and shortstop for the Adelaide Bite in the Australian Baseball League (ABL). Although there may have been a sour taste left in the mouths of Bite fans following Sunday’s 9-5 loss, one could not forget Hu’s team best 3-for-5 performance–including two runs batted in and one run scored. Never mind that Chin-lung Hu had been instrumental in the Bite’s victories the two prior nights against Canberra. Whether it be Saturday’s two-run triple in the bottom of the second inning which set up a 3-2 victory or Friday’s defensive excellence turning a pivotal double play late in the game with runners on the corners to stop the Calvary’s charge and seal up the win for Adelaide, Chin-lung Hu is now the ABL’s renaissance man.
Other than co-sharing his claim to fame for having MLB’s shortest last name in baseball history, Chin-lung Hu is best known (or rather unknown) as a bench player. Baseball fans today still ask the burning question: “Who is Hu?” Being in the shadow of 2011 MLB National League Batting Champion Mets shortstop Jose Reyes or playing back up to former Dodger and shortstop for the 2011 MLB World Series Champion St. Louis Cardinals Rafael Furcal did not help his cause either. Chin-lung Hu appeared to always be at the wrong place at the wrong time and never got the time of day in the major leagues.
The Taiwanese-born Hu began his career in the Dodgers minor leagues in 2003 as a member of the Advance Rookie minor league Ogden Raptors. In 2004, he played for both the defunct Columbus Catfish and the Vero Beach Dodgers (now the Devil Rays). He remained in Vero Beach for the 2005 season and later moved on to the Jacksonville Suns in the Double-A Southern League. Things appeared to be progressing for Hu as the international baseball circle limelight shined on Hu for a brief period while a member of Chinese Taipei national team in the 2006 World Baseball Classic. Upon his return to America, he was promoted to the Triple-A Las Vegas 51’s and then later made his 2007 Major League Debut in a Los Angeles Dodgers uniform. Hu continued his elusive ways by playing hide-and-seek for another three years of multiple visits between Albuquerque with the Triple-A Isotopes and LA’s Chavez Ravine. Following the conclusion of the 2010 Dodgers season, Hu was traded to the New York Mets.
Enter the ABL to save Chin-lung Hu from international anonymity. Backed by Major League Baseball and the Australian Baseball Federation, the ABL is no stranger to world-class Asian baseball talent. In its inaugural season last year, the ABL hosted twelve Japanese players including big leaguers Itaru Hashimoto, Yoshiyuki Kamei and Norihito Kaneto with the Melbourne Aces, and Shuhei Fukuda and Hiroki Yamada with the Brisbane Bandits. Korean catcher Sung-Woo Jang, infielder Kyu-Hyun Moon and outfielder Seung-Hwa Lee thrilled fans while playing for the Canberra Cavalry. Perhaps most notable Korean player was Sydney Blue Sox pitcher Dae-Sung Koo, who won the League’s Reliever of the Year award after a brilliant season on the mound. With over three times as many players with Major League Baseball contracts participating than last season and a new influx of athletes from the world’s top baseball leagues, there has been vast improvement in the 2011-12 ABL level of play. Now is the time for Chin-lung Hu to step out of the darkness and into the light as an all-star starting shortstop for the ABL Adelaide Bite. Catch up on all the Australian Baseball League action at web.theabl.com.au
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